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A review by jlebon
The Bell Jar by Sylvia Plath
dark
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
My copy of this book is absolutely full to the brim of underlined and highlighted passages, dog-eared pages and protruding tabs - which is undoubtedly a great barometer for how good a book is.
Sylvia Plath was a master with words and, in the novels best passages, you can tell (without prior knowledge) that she was first and foremost a poet and secondly a novelist. Her use of language is so evocative and makes you stop and reread her beautiful prose over and over again. I found myself savouring every letter printed in this book.
Narratively, this book is fundamentally very dark in places - morbid in the protagonist's (Esther's) approach to life. And yet this was strangely comforting for me in places. I would be lying if I didn't say there were points in the novel that I related to, with the book feeling as if you're contained within the character's head - much like a person contained within a bell jar you could say. Therefore it feels as if Plath is just sometimes writing what most people think but don't say. It is also nice to read about a protagonist who initially seems to all her life in order, before it slowly crumbling away before her.
A criticism could be levelled that the novel lacks depth within the plot, basically just focusing on the psychology of one individual. However, I do think this works perfectly in unifying the protagonist and reader - seeing what she sees and hearing what she thinks.
I would love to reread this book again, at a less busy period, where I can dedicate time more regularly to devour this book once more. And who knows, maybe that will increase my already high valuation of this book even further.
Up there as an all-time favourite for me!
Sylvia Plath was a master with words and, in the novels best passages, you can tell (without prior knowledge) that she was first and foremost a poet and secondly a novelist. Her use of language is so evocative and makes you stop and reread her beautiful prose over and over again. I found myself savouring every letter printed in this book.
Narratively, this book is fundamentally very dark in places - morbid in the protagonist's (Esther's) approach to life. And yet this was strangely comforting for me in places. I would be lying if I didn't say there were points in the novel that I related to, with the book feeling as if you're contained within the character's head - much like a person contained within a bell jar you could say. Therefore it feels as if Plath is just sometimes writing what most people think but don't say. It is also nice to read about a protagonist who initially seems to all her life in order, before it slowly crumbling away before her.
A criticism could be levelled that the novel lacks depth within the plot, basically just focusing on the psychology of one individual. However, I do think this works perfectly in unifying the protagonist and reader - seeing what she sees and hearing what she thinks.
I would love to reread this book again, at a less busy period, where I can dedicate time more regularly to devour this book once more. And who knows, maybe that will increase my already high valuation of this book even further.
Up there as an all-time favourite for me!
Content Warnings
Graphic: Medical trauma, Self harm, Sexual assault, Vomit, Forced institutionalization, Medical content, Sexual violence, Suicide attempt, Child death, Schizophrenia/Psychosis , Blood, Mental illness, Rape, Sexual content, and Suicidal thoughts
Moderate: Chronic illness, Panic attacks/disorders, Death, and Suicide
Minor: Body horror