A review by jayisreading
The Name of the Rose by Umberto Eco

challenging informative mysterious slow-paced

3.0

I’ll admit that it never crossed my mind to pick up this novel, partially because of my slight aversion to semiotics (which Eco is well-known for). However, knowing that it was a huge influence on a video game I absolutely loved (i.e., Pentiment), I thought I’d give his novel a try.

Not entirely to my surprise, The Name of the Rose was quite dense in its themes, writing style, and theoretical frameworks. I would even go so far as to say that Eco’s philosophical interests overshadowed the story itself. As a result of this, I felt a bit frustrated by the novel, because I wasn’t particularly interested in the erudite discussions that somewhat strayed from the main story, which I wanted more of. Ultimately, I think I would have liked the novel far more if there was a better balance of creative storytelling and scholarly writing. To me, at least, I felt that Eco had a very particular group of people in mind while writing this novel; I was definitely not a member of this audience, which might be why a fair bit of what he wrote flew over my head (for example, I know very little about Catholicism, which is central to the story).

That being said, I will say that this is a novel that demands the reader’s full attention, as well as their willingness to take the time to digest Eco’s ideas. Unfortunately, I didn’t have either of these due to my schedule and having borrowed the book from the library (i.e., I had limited time), so these definitely played into why I struggled to fully appreciate this novel. I guess this is to say take this review with a grain of salt, because it’s clear that a fair number of readers found the book quite rich and engaging (e.g., the developers of Pentiment, haha), and that’s likely because they had the time to sit with Eco’s words. 
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