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A review by legs_n_chins
The Ghost Bride by Yangsze Choo
adventurous
funny
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
I was eager to finish this, but I don’t know if that’s because I simply wanted the answers so I could know and move on, or if I was genuinely interested in how it would end. And I think it’s weird, and maybe telling, that I can’t honestly say which is more true.
I hoped I would enjoy this more. The world building was fascinating and I loved all the descriptions of the world of the dead and the Chinese folklore woven throughout. The parts in the world of the dead were certainly my favorite, and I think the most successful parts of the book when it came to the mystery and tense situations. The build up to that, I thought, was also very good, setting the stage well and teasing a lot of the world of the dead without giving everything away. But the final part of the book just didn’t capture me. The climax was surprisingly underwhelming and everything after that just felt like it dragged. I guess there were sort of two climaxes to tie up the two ends of the two plot lines that were introduced, but neither of them really felt like they lived up to what I had been hoping for.
Overall, I liked the characters. Though, mostly the secondary characters. Li Lan as a main character was perfectly serviceable, I didn’t hate her, but I didn’t like her as much as, say, Old Wong or even Yan Hong. I understand a lot of her actions were dictated by the context of her being young and sheltered and lacking a lot of worldly experience, but sometimes I just felt like she lapsed back into total helplessness. Most of her choices made sense, but some of them still felt like they were stupider than they should have been, even considering that she’s working with a serious lack of information and youthful impulsivity. I didn’t find it onerous to read from her perspective, but she did frustrate me sometimes.
I appreciated learning more about Chinese culture and folklore through this book, though. The author was clearly aware that some of her audience wouldn’t have a lot of familiarity with the culture and really aimed for clarity. (Sometimes it did take me out of the story when she would define the Chinese words. I don’t speak any Chinese, so it was welcome, but it still was like a sort of record scratch in the middle of a sentence.) My experience with Chinese tradition surrounding death is mainly regarding funeral offerings and a little vague understanding of the afterlife, so I liked learning more about that through this story.
I don’t know if I’ll pursue other books by this author, but for the most part I did enjoy reading this. It was definitely a uniquely Chinese story and that’s a lot of what I’m looking for these days.
I hoped I would enjoy this more. The world building was fascinating and I loved all the descriptions of the world of the dead and the Chinese folklore woven throughout. The parts in the world of the dead were certainly my favorite, and I think the most successful parts of the book when it came to the mystery and tense situations. The build up to that, I thought, was also very good, setting the stage well and teasing a lot of the world of the dead without giving everything away. But the final part of the book just didn’t capture me. The climax was surprisingly underwhelming and everything after that just felt like it dragged. I guess there were sort of two climaxes to tie up the two ends of the two plot lines that were introduced, but neither of them really felt like they lived up to what I had been hoping for.
Overall, I liked the characters. Though, mostly the secondary characters. Li Lan as a main character was perfectly serviceable, I didn’t hate her, but I didn’t like her as much as, say, Old Wong or even Yan Hong. I understand a lot of her actions were dictated by the context of her being young and sheltered and lacking a lot of worldly experience, but sometimes I just felt like she lapsed back into total helplessness. Most of her choices made sense, but some of them still felt like they were stupider than they should have been, even considering that she’s working with a serious lack of information and youthful impulsivity. I didn’t find it onerous to read from her perspective, but she did frustrate me sometimes.
I appreciated learning more about Chinese culture and folklore through this book, though. The author was clearly aware that some of her audience wouldn’t have a lot of familiarity with the culture and really aimed for clarity. (Sometimes it did take me out of the story when she would define the Chinese words. I don’t speak any Chinese, so it was welcome, but it still was like a sort of record scratch in the middle of a sentence.) My experience with Chinese tradition surrounding death is mainly regarding funeral offerings and a little vague understanding of the afterlife, so I liked learning more about that through this story.
I don’t know if I’ll pursue other books by this author, but for the most part I did enjoy reading this. It was definitely a uniquely Chinese story and that’s a lot of what I’m looking for these days.
Content Warnings
Graphic: Murder, Death, and Drug use
Moderate: Suicide