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A review by robin1010
A Strange and Stubborn Endurance by Foz Meadows
adventurous
emotional
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Rating might change later as I'm hovering between 3 and 4 stars for this book.
First and foremost, like a lot of other reviewers have addressed, there is a sexual assault scene and more than one scene of self-harm/suicidal intentions. There is a warning at the start of the book regarding these scenes. They're definitely very graphic, and if you're worried about them at all I would skip this book. That aside, even though the scenes were quite graphic, the author never used language that made them feel gratuitous, like a lot of the fantasy genre does.
I'll address the characters first. I liked Vel, most of the time he felt like a likeable and understandable character, and his eventual recovery felt realistic but also quite hopeful. The author also writes his intelligence well. I did feel that the mention of who he was in the past (very non-committal, party type) didn't really gel with how he acted in the present. While I understand he faced a major upheaval, his whole personality seemed more studious and responsible than the kind of person he was describing of his previous self. Cae honestly felt a little bit bland, most of his characteristics were very generically 'wholesome love interest', and I think he could have done with some more fleshing out, especially in terms of flaws. The moniker 'the Wild Knife' felt a little weird too. The side characters were by and large fun, I especially enjoyed the Yasa, as a powerful older woman isn't a character that often crops up in fantasy with the same subtleties. The addition of a non-binary gender and several non-binary characters treated with dignity and some amount of depth was also much appreciated.
The romance was decent enough, and the mutual pining was fun for the bits where it happened. I think it would have benefited from a slower burn, but that's more a general comment on the pacing of the book that I'll get into later.
The writing was honestly lovely, way above what I expected. There were several occasions where I just stopped to appreciate the prose. Environments and characters were described with detail, but not to a boring extent. The character's dialogue also felt natural but also suited to the setting, and most felt distinct from one another. The world building was worked in very naturally, for the most part, and there was only here and there an occasion of almost info-dumping.
The rest of this review discusses the plot.
The plot was honestly a little messy. The timeline was incredibly fast, with the events of the book happening over a number of days. I think the book could have used some slower pacing, even if just in the frame of time skips. Some bits showing actual down time without interruptions or with having Vel getting used to everything would have really helped, but instead every time we get a brief second of slower pacing there's an immediate urgent interruption. In more than one case this is a murder or attempted-murder, which becomes borderline comedic by the end. The plot events became formulaic: Normal, calm, possibly sweet moment between some combination of Vel and Cae, which was then jarringly interrupted with either a murder, attempted-murder, or someone here to deliver news of the investigations of said murders.
The way the author treated the suspects for everything was also very strange. They immediately introduced Laecia as a possible suspect, then spent almost the rest of the book trying to discredit her as a suspect, only to reveal that it was her all along. It felt very strange; why not leave the evidence of her competition for inheritance to the end? Or shroud it in more mystery and draw it out more than the reveal in a single paragraph? And after all that they discover her involvement entirely by accident.
Laecia's confession was so weird and disjointed, set up almost like the end of a Poirot novel, where everybody meets not once but twice to discuss all the events and the evidence and hear the murderer's monologue. It's also incredibly out of place outside of a detective novel - we get repeated instances of outright fast paced combat in this book but suddenly all the protagonists and antagonists are going to sit down and calmly explain their motives and methodology? In the first occasion there's a brief moment of tension where we think the protagonists might have to work with her as she's blackmailing them, but they immediately dismiss the threat and it has no hold over them. Why bring it up at all then? There were also several occasions of Laecia or another character actively explaining or monologuing the plot rather than letting it reveal itself naturally, which was very strange. The inclusion of Laecia's magic was an interesting choice, which I can't tell if I liked or not. On one hand it did make her an intimidating opponent, on the other hand I think I would have liked to see her use more political or social maneuvering to trap our protagonists, because we get far more exposition regarding her political ambition than her desire to do magic.
The whole plot/who dunnit was frustrating and unrewarding to follow, and more than once the only thing keeping me going through it was the hope that the author would masterfully tie it all together, which it didn't really feel like it did.
First and foremost, like a lot of other reviewers have addressed, there is a sexual assault scene and more than one scene of self-harm/suicidal intentions. There is a warning at the start of the book regarding these scenes. They're definitely very graphic, and if you're worried about them at all I would skip this book. That aside, even though the scenes were quite graphic, the author never used language that made them feel gratuitous, like a lot of the fantasy genre does.
I'll address the characters first. I liked Vel, most of the time he felt like a likeable and understandable character, and his eventual recovery felt realistic but also quite hopeful. The author also writes his intelligence well. I did feel that the mention of who he was in the past (very non-committal, party type) didn't really gel with how he acted in the present. While I understand he faced a major upheaval, his whole personality seemed more studious and responsible than the kind of person he was describing of his previous self. Cae honestly felt a little bit bland, most of his characteristics were very generically 'wholesome love interest', and I think he could have done with some more fleshing out, especially in terms of flaws. The moniker 'the Wild Knife' felt a little weird too. The side characters were by and large fun, I especially enjoyed the Yasa, as a powerful older woman isn't a character that often crops up in fantasy with the same subtleties. The addition of a non-binary gender and several non-binary characters treated with dignity and some amount of depth was also much appreciated.
The romance was decent enough, and the mutual pining was fun for the bits where it happened. I think it would have benefited from a slower burn, but that's more a general comment on the pacing of the book that I'll get into later.
The writing was honestly lovely, way above what I expected. There were several occasions where I just stopped to appreciate the prose. Environments and characters were described with detail, but not to a boring extent. The character's dialogue also felt natural but also suited to the setting, and most felt distinct from one another. The world building was worked in very naturally, for the most part, and there was only here and there an occasion of almost info-dumping.
The rest of this review discusses the plot.
The plot was honestly a little messy. The timeline was incredibly fast, with the events of the book happening over a number of days. I think the book could have used some slower pacing, even if just in the frame of time skips. Some bits showing actual down time without interruptions or with having Vel getting used to everything would have really helped, but instead every time we get a brief second of slower pacing there's an immediate urgent interruption. In more than one case this is a murder or attempted-murder, which becomes borderline comedic by the end. The plot events became formulaic: Normal, calm, possibly sweet moment between some combination of Vel and Cae, which was then jarringly interrupted with either a murder, attempted-murder, or someone here to deliver news of the investigations of said murders.
The way the author treated the suspects for everything was also very strange. They immediately introduced Laecia as a possible suspect, then spent almost the rest of the book trying to discredit her as a suspect, only to reveal that it was her all along. It felt very strange; why not leave the evidence of her competition for inheritance to the end? Or shroud it in more mystery and draw it out more than the reveal in a single paragraph? And after all that they discover her involvement entirely by accident.
Laecia's confession was so weird and disjointed, set up almost like the end of a Poirot novel, where everybody meets not once but twice to discuss all the events and the evidence and hear the murderer's monologue. It's also incredibly out of place outside of a detective novel - we get repeated instances of outright fast paced combat in this book but suddenly all the protagonists and antagonists are going to sit down and calmly explain their motives and methodology? In the first occasion there's a brief moment of tension where we think the protagonists might have to work with her as she's blackmailing them, but they immediately dismiss the threat and it has no hold over them. Why bring it up at all then? There were also several occasions of Laecia or another character actively explaining or monologuing the plot rather than letting it reveal itself naturally, which was very strange. The inclusion of Laecia's magic was an interesting choice, which I can't tell if I liked or not. On one hand it did make her an intimidating opponent, on the other hand I think I would have liked to see her use more political or social maneuvering to trap our protagonists, because we get far more exposition regarding her political ambition than her desire to do magic.
The whole plot/who dunnit was frustrating and unrewarding to follow, and more than once the only thing keeping me going through it was the hope that the author would masterfully tie it all together, which it didn't really feel like it did.
Content Warnings
Graphic: Sexual assault, Blood, Outing, Suicidal thoughts, Homophobia, Death, Injury/Injury detail, Self harm, Violence, Murder, Panic attacks/disorders, and Rape