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A review by tinyjude
If We Were Villains by M.L. Rio
challenging
dark
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
4.0
I am conflicted, to say the least. (Also this is a mess but it is 2 am, so my brain juice is at its limit)
Pretentious, dramatic and passionate theatre kids who bring to life shakespearean plays both in ans offstage, are a tangled mess of emotions and riddles while also being quite flat characters. I liked the writing, it was fitting for the theme and atmosphere. I loved some passages and use of the plays throughout the story to obscure and bring light to the characters' feelings. I enjoyed the drama and the story. I had my doubts about dark academia books but this one made it for me and now I know I yearn for more books with theatre actors as protagonists being unhinged and frustrating. I also liked the references to some motifs in Shakespeare's plays (ghosts, lies, blood, guilt, madness). As a Shakespeare enthusiastic, especially his tragedies and villains, I am content.
The parts that mostly bother me are for example, what exactly did send Alexander spiraling into overdose? Was it the guilt in all cases? Did Richard haunt them so bad as a ghost like in Macbeth? Did Wren knew all along it was James? I needed to see them descend into madness more.
At some point I truly thought I was being lied by the internet and my own biased analysis, which always searches for some homoerotic subtext, because HELL the moments between Oliver and James were sparse. Those weren't even crumbs, I was holding the ship with a thread and both eyes closed, going by instinct. So yeah, the slow-burn was way too much, as it didn't deliver the relief you would expect after so many "heteronormative looking" scenes (idk how to describe it bc the book had me doubting my bisexual suspicions and then rooting for a poly relationship between Oliver Meredith and James). (What do you mean a botherly kiss that is not quite brotherly? but yeah, only one brief kiss, nothing else, no more scenes between them that hint at their feelings before or after halloween. I am not even asking for a love confession or any grand gesture, but more subtle scenes between them, more tension... idk i went insane, i am in pain but i also apprecite how complicated their relationship is, as they were best friends, brothers, partners in crime, lovers, enemies...). Or more about the internal turmoil they had going on realizing they are queer, which we barely got because they didn't want to think about it... I wanted to see how they come to terms with their sexuality, the guilt and love they felt (this specially)!!!
I probably forget many things I want to say but frankly I have been reading 3h non-stop and cried at the ending, so cut me some slack.
Pretentious, dramatic and passionate theatre kids who bring to life shakespearean plays both in ans offstage, are a tangled mess of emotions and riddles while also being quite flat characters. I liked the writing, it was fitting for the theme and atmosphere. I loved some passages and use of the plays throughout the story to obscure and bring light to the characters' feelings. I enjoyed the drama and the story. I had my doubts about dark academia books but this one made it for me and now I know I yearn for more books with theatre actors as protagonists being unhinged and frustrating. I also liked the references to some motifs in Shakespeare's plays (ghosts, lies, blood, guilt, madness). As a Shakespeare enthusiastic, especially his tragedies and villains, I am content.
The parts that mostly bother me are for example, what exactly did send Alexander spiraling into overdose? Was it the guilt in all cases? Did Richard haunt them so bad as a ghost like in Macbeth? Did Wren knew all along it was James? I needed to see them descend into madness more.
At some point I truly thought I was being lied by the internet and my own biased analysis, which always searches for some homoerotic subtext, because HELL the moments between Oliver and James were sparse. Those weren't even crumbs, I was holding the ship with a thread and both eyes closed, going by instinct. So yeah, the slow-burn was way too much, as it didn't deliver the relief you would expect after so many "heteronormative looking" scenes (idk how to describe it bc the book had me doubting my bisexual suspicions and then rooting for a poly relationship between Oliver Meredith and James). (What do you mean a botherly kiss that is not quite brotherly? but yeah, only one brief kiss, nothing else, no more scenes between them that hint at their feelings before or after halloween. I am not even asking for a love confession or any grand gesture, but more subtle scenes between them, more tension... idk i went insane, i am in pain but i also apprecite how complicated their relationship is, as they were best friends, brothers, partners in crime, lovers, enemies...). Or more about the internal turmoil they had going on realizing they are queer, which we barely got because they didn't want to think about it... I wanted to see how they come to terms with their sexuality, the guilt and love they felt (this specially)!!!
I probably forget many things I want to say but frankly I have been reading 3h non-stop and cried at the ending, so cut me some slack.
Content Warnings
Graphic: Addiction, Alcoholism, Biphobia, Body shaming, Bullying, Child abuse, Death, Domestic abuse, Drug abuse, Eating disorder, Homophobia, Infidelity, Misogyny, Panic attacks/disorders, Physical abuse, Sexual content, Sexual violence, Suicide, Violence, Blood, Murder, Toxic friendship, Alcohol, and Classism