A review by krobcecil
Notes on the Cinematograph by Robert Bresson

4.0

In which Bresson invents Film Twitter.

My one issue is that the more prescriptive insistences about models v. actors Bresson makes, the less convincing and more defensive he seems. That said, the practice unquestionably worked for him. More importantly, every single note here is an invitation to reevaluate assumptions about cinema and to keep pressing it forward.