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A review by ballgownsandbooks
Pandora by Susan Stokes-Chapman
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
This... was an interesting one. It was definitely a compelling read, more and more so as it went along; the historical setting was delightfully detailed (disturbingly graphic at times, even); the writing itself was good; and Dora was easy to root for!
However - I'm not sure I can quite say I loved it. One one level, I think this book was just trying to do too much. The Author's Note says it was born out of several separate ideas that Susan Stokes-Chapman decided to put together, and I think it shows. This book is over 400 pages - it's not short - so it really shouldn't feel rushed or underdeveloped! But, several of the elements felt oddly disjointed or abrupt.
The romance, in particular, felt incredibly rushed and came totally out of nowhere: I spent almost the whole book convinced they were just going to end up as friends, and would have been completely satisfied with that - so the last-minute escalation (and a steep escalation at that) that showed up with no warning at all threw me completely off, which is not what you want at the 92%-mark!
Edward's backstory, while alluded to vaguely at several points, also felt underdeveloped and like it was just glossed over, shoehorned in at the end just for the sake of it, without the appropriate weight for the subject matter. I also felt quite removed from Edward himself, and couldn't fully get behind his perspective, and most of the side characters were pretty one-note too.
The mystery of the box, and the slight speculative element around whether or not myths and Greek gods actually exist, could have been really interesting, and there were really interesting seeds there - but unfortunately, I think overall that thread is let down by the number of other things happening around it, which stop it from being explored as fully as it could have been. The ambiguity of the ending also feels more 'unfinished' than 'deliberate choice'.
However - I'm not sure I can quite say I loved it. One one level, I think this book was just trying to do too much. The Author's Note says it was born out of several separate ideas that Susan Stokes-Chapman decided to put together, and I think it shows. This book is over 400 pages - it's not short - so it really shouldn't feel rushed or underdeveloped! But, several of the elements felt oddly disjointed or abrupt.
The romance, in particular, felt incredibly rushed and came totally out of nowhere: I spent almost the whole book convinced they were just going to end up as friends, and would have been completely satisfied with that - so the last-minute escalation (and a steep escalation at that) that showed up with no warning at all threw me completely off, which is not what you want at the 92%-mark!
Edward's backstory, while alluded to vaguely at several points, also felt underdeveloped and like it was just glossed over, shoehorned in at the end just for the sake of it, without the appropriate weight for the subject matter. I also felt quite removed from Edward himself, and couldn't fully get behind his perspective, and most of the side characters were pretty one-note too.
The mystery of the box, and the slight speculative element around whether or not myths and Greek gods actually exist, could have been really interesting, and there were really interesting seeds there - but unfortunately, I think overall that thread is let down by the number of other things happening around it, which stop it from being explored as fully as it could have been. The ambiguity of the ending also feels more 'unfinished' than 'deliberate choice'.
Content Warnings
Graphic: Animal death, Gore, Blood, Grief, and Murder
Minor: Physical abuse