A review by fantomerrant
The Picture of Dorian Gray by Oscar Wilde

dark mysterious reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Oh, how to begin talking about this book? I adored it, despite it being clearly problematic at times (misogyny, antisemitism, romanticizing adults attracted to children and the likes, though some of it isn't clear whether it is coming from the characters or the author) but it is also so wonderful. Wilde's prose is incredibly poetic but by all means, my favourite thing about this classic is all the references and themes of beauty and greek ideals, as well as tragedy, terror and fatality, because it parallels my favourite book of all time: The Secret History. I wonder if Donna Tartt drew some of her inspiration from Wilde, and more specifically Dorian Gray. 

"Behind every exquisite thing that existed, there was something tragic" "Beauty is terror, whatever we call beautiful we quiver before it" 

"There is something fatal about a portrait" "Does such a thing as the fatal flaw, that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs" 

Dorian, which at times does remind me a little of Henry, is constantly being referred to as greek figures like Appollo or Narcissus. The way Sybil, his first love, is described reminds me a lot of Camilla. 
There's also this romanticising of suicide/death where Sybil's, and later Basil's, ends are seen as a beautiful thing, through the lens of Shakespearean references like Romeo and Juliet or Ophelia, and it is simply used as a device to further Dorian's transformation. 
As an artist myself, this novel, just like the works it draws parallels with, really touched me. I found the end of both the book and of Dorian's, incredibly fitting. How he, or rather his youth, it's memory, ended up absorbed in his portrait, as it was always meant to. How his soul, and its true nature, was released as Dorian enacts the final act, which reflects what he himself admired in his love interests, which is to kill himself, though quite inadvertently. 

As a queer person, I can’t end this review without mentioning that I appreciated reading a classic written by another queer person, despite Wilde being problematic. And I appreciated all the queer subtext, if you can call it that (as to me, it was the clearest thing). I believe this book to be about the tragic love story of Dorian and Basil, or at least, of Basil's love for Dorian, and Dorian's love for himself.
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