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A review by gregzimmerman
By Nightfall by Michael Cunningham
2.0
Midway through Michael Cunnigham's slim new novel, By Nightfall, a character describes a rich woman's expensively decorated living room as "...so magnificent it transcends its own pretensions." That's also a good description for what Cunningham must've hoped his novel would be. But since it's not exactly magnificent, we're pretty much left with just pretentious. And the novel, though well-crafted, sure is that.
But the novel failed for another reason, too: Its protagonist is an utter dolt. Far be it from me to need likable characters to enjoy a novel, but Peter Harris is not just unlikeable — he's totally unbelievable. Here's the story: Peter's a mid-40s New York City art dealer in the midst of a crisis. He's not sure he's happy with his life. (Real original, right?) When his wife Rebecca's much-younger, much-troubled brother Mizzy comes for a visit, idealistic Peter develops all these notions of Mizzy as quintessential Youth, Beauty, and the Happiness of his marriage when it was still new. And then, Peter thinks he might be in love with Mizzy. But is he actually in love with Mizzy or is he in love with what he's convinced himself that Mizzy represents?
But heterosexual, married Peter's possible homosexual crush on his brother-in-law (which to Cunningham's credit is certainly an original take on the mid-life crisis dilemma!) is not even the ridiculous part. The ridiculous part is how silly Peter, who Cunningham painstakingly renders as this uber-self-aware, contemplative, hip New Yorker, seems at various points in the novel. He's like a rocket scientist who can't balance his checkbook. As one example of this: Early in the novel, he comes home and sees Mizzy naked in the shower and actually mistakes him for his wife, wondering why she looks so much younger all of a sudden. Yes, this is a foreshadowing of what's to come, but its too gimmicky to be believable. And then later, Peter so blatantly misses some rather important signs that by that point are so obvious to the reader, it's impossible to take him seriously anymore.
So, then, Peter's naïvete contradicts with his (and the novel's) pretentiousness. As evidence of that pretentiousness, read this sentence (from Peter's thoughts): "She sighs voluptuously. She could so easily be a Klimt portrait, with her wide-set eyes and bony little apostrophe of a nose." A beautiful sentence, no doubt. But how does someone sigh voluptuously? And who is Klimt? Peter certainly knows, and maybe that's how an art dealer would think, but Cunningham is practically holding it over his readers' heads that they don't. And that, and dozens of similar examples throughout the novel, are what drags the novel into pretentiousness.
I do think By Nightfall is an original, smart piece of contemporary lit. But to me, the annoying peripherals cancel out the ingenuity of the story and Cunningham's often stylish prose. I'd like to give Cunningham's work another shot, though, because while I didn't much like this one, I know a lot of people really like Cunningham's other work, especially The Hours. Is Specimen Days good? Any other suggestions on where to look for another shot at Cunningham?
But the novel failed for another reason, too: Its protagonist is an utter dolt. Far be it from me to need likable characters to enjoy a novel, but Peter Harris is not just unlikeable — he's totally unbelievable. Here's the story: Peter's a mid-40s New York City art dealer in the midst of a crisis. He's not sure he's happy with his life. (Real original, right?) When his wife Rebecca's much-younger, much-troubled brother Mizzy comes for a visit, idealistic Peter develops all these notions of Mizzy as quintessential Youth, Beauty, and the Happiness of his marriage when it was still new. And then, Peter thinks he might be in love with Mizzy. But is he actually in love with Mizzy or is he in love with what he's convinced himself that Mizzy represents?
But heterosexual, married Peter's possible homosexual crush on his brother-in-law (which to Cunningham's credit is certainly an original take on the mid-life crisis dilemma!) is not even the ridiculous part. The ridiculous part is how silly Peter, who Cunningham painstakingly renders as this uber-self-aware, contemplative, hip New Yorker, seems at various points in the novel. He's like a rocket scientist who can't balance his checkbook. As one example of this: Early in the novel, he comes home and sees Mizzy naked in the shower and actually mistakes him for his wife, wondering why she looks so much younger all of a sudden. Yes, this is a foreshadowing of what's to come, but its too gimmicky to be believable. And then later, Peter so blatantly misses some rather important signs that by that point are so obvious to the reader, it's impossible to take him seriously anymore.
So, then, Peter's naïvete contradicts with his (and the novel's) pretentiousness. As evidence of that pretentiousness, read this sentence (from Peter's thoughts): "She sighs voluptuously. She could so easily be a Klimt portrait, with her wide-set eyes and bony little apostrophe of a nose." A beautiful sentence, no doubt. But how does someone sigh voluptuously? And who is Klimt? Peter certainly knows, and maybe that's how an art dealer would think, but Cunningham is practically holding it over his readers' heads that they don't. And that, and dozens of similar examples throughout the novel, are what drags the novel into pretentiousness.
I do think By Nightfall is an original, smart piece of contemporary lit. But to me, the annoying peripherals cancel out the ingenuity of the story and Cunningham's often stylish prose. I'd like to give Cunningham's work another shot, though, because while I didn't much like this one, I know a lot of people really like Cunningham's other work, especially The Hours. Is Specimen Days good? Any other suggestions on where to look for another shot at Cunningham?