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A review by literatureleaf
The Last Wish by Andrzej Sapkowski
adventurous
funny
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Age: 15+
Reading time: 2 days
Difficulty level: 3/5
Overall Rating: 7/10
The Last Wish by Andrzej Sapkowski is the second novel in The Witcher series, but it serves as an excellent starting point into the world of the beloved Geralt of Rivia. Told in short story format, with hints of a longer, overarching plotline in between, this book introduces the reader to who Geralt is, what makes him tick, and the characters who will eventually come to play a much larger role in his story.
The bite-sized tales featured in this novel are entertaining, easy to follow, and manage to keep the focus on Geralt while honoring the uniqueness and differentiation of the other characters in the story. Each one feels distinctly separate from the rest but remains in keeping with the overall mood and tone of the book.
Sapkowski excels at taking the short story format and doing something larger than life within it. He maintains a masterful plot, that contains hints of mystery, romance, and an origin story, despite the appearance of a book that, at first glance, seems to be comprised of separate, contained stories that have little to do with one another, aside from the main character.
Where The Last Wish struggles is with dialogue. The conversation is often stilted and repetitive, and many of the side characters felt like carbon copies of one another because of this. Much of the dialogue gave off the impression that it was not well thought out, and that it was written because Sapkowski felt like it needed to be there, rather than for an actual literary need for conversation.
Repetition in general was an issue throughout this book. Lines of prose were repeated quite often, to the point that it made focusing on the story itself difficult. Many passages felt clunky and, much like with the dialogue, as if they were written simply to fill blank spaces on the page rather than to enhance the story. This book was originally written in Polish, so, admittedly, some of these gripes may result from things that were lost in translation.
At its core, The Last Wish is a beloved fantasy novel with cherished characters who have earned well-deserved video game and television adaptations. Packed with action, fight scenes, and fairy tale parallels, it weaves the riveting narrative of a being who is finding his place in a world where he was created to kill. Hidden within the gory battles and captivating fights are bits of perfectly timed sarcasm and dry humor, expertly penned political and class commentary, and not-so-gentle reminders that real evil can be found lurking within humanity, not monsters.
Reading time: 2 days
Difficulty level: 3/5
Overall Rating: 7/10
The Last Wish by Andrzej Sapkowski is the second novel in The Witcher series, but it serves as an excellent starting point into the world of the beloved Geralt of Rivia. Told in short story format, with hints of a longer, overarching plotline in between, this book introduces the reader to who Geralt is, what makes him tick, and the characters who will eventually come to play a much larger role in his story.
The bite-sized tales featured in this novel are entertaining, easy to follow, and manage to keep the focus on Geralt while honoring the uniqueness and differentiation of the other characters in the story. Each one feels distinctly separate from the rest but remains in keeping with the overall mood and tone of the book.
Sapkowski excels at taking the short story format and doing something larger than life within it. He maintains a masterful plot, that contains hints of mystery, romance, and an origin story, despite the appearance of a book that, at first glance, seems to be comprised of separate, contained stories that have little to do with one another, aside from the main character.
Where The Last Wish struggles is with dialogue. The conversation is often stilted and repetitive, and many of the side characters felt like carbon copies of one another because of this. Much of the dialogue gave off the impression that it was not well thought out, and that it was written because Sapkowski felt like it needed to be there, rather than for an actual literary need for conversation.
Repetition in general was an issue throughout this book. Lines of prose were repeated quite often, to the point that it made focusing on the story itself difficult. Many passages felt clunky and, much like with the dialogue, as if they were written simply to fill blank spaces on the page rather than to enhance the story. This book was originally written in Polish, so, admittedly, some of these gripes may result from things that were lost in translation.
At its core, The Last Wish is a beloved fantasy novel with cherished characters who have earned well-deserved video game and television adaptations. Packed with action, fight scenes, and fairy tale parallels, it weaves the riveting narrative of a being who is finding his place in a world where he was created to kill. Hidden within the gory battles and captivating fights are bits of perfectly timed sarcasm and dry humor, expertly penned political and class commentary, and not-so-gentle reminders that real evil can be found lurking within humanity, not monsters.
Content Warnings
Graphic: Violence
Moderate: Rape, Murder, Death, Sexism, Misogyny, Incest, and Cursing
Minor: Sexual content