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A review by ninjamuse
Fortuna by Kristyn Merbeth
4.0
In brief: Scorpia Kaiser is a screw-up, the family pilot, and out to prove she has what it takes to take over smuggling operations from Mama. Corvus Kaiser, exiled from his family to fight a war he doesn’t believe in, is finally coming home. Then a smuggling deal goes massively south and suddenly, what was going to be a difficult time becomes much, much worse. First of a trilogy.
Thoughts: For a book that starts with a drunken crash landing, this did not go anywhere close to where I thought it would, and that’s a good thing. Of course, Merbeth delivers on space battles and smuggling shenanigans and everything else you’d expect from that scene, but this is also very much a story about trauma, family, interplanetary politics, ethics, and morality. It gets dark and deep, and it keeps you guessing as the problems just keep piling on.
Scorpia is by far my favourite character, though everyone with a lot of say in the story is well-written. She’s got this relentless optimism and creativity, but also a dark streak of cynicism and fear, and a lot of her arc is about dealing with the trauma of Mama’s parenting and what it means to be a good person. (She also makes poor choices when pretty girls are involved, which is endearing.) Corvus has a sadness and determination about him, Mama is objectively awful and terrifying, other characters show surprising depths just when you think they’re one-note, but Scorpia is definitely the star.
But it’s not the characters that shine here as much as it’s the solar system and the themes Merbeth’s exploring. She’s taken the premise of Single Biome Space Opera planets, added in “they will all kill you” and extinct aliens, and then delved into how the cultures and politics would shake out. It’s not good. Sometimes it’s genuinely bad. It’s entirely complicated, and the Kaiser family’s caught right in the vice between it all. In some ways, it’s like that gag of plugging one hole just for three more to open up, or maybe Whack-a-Mole, if the moles occasionally exploded.
And the themes? I’m used to space opera that’s either an adventurous romp or that really goes at some external issue. (See: the Expanse series and exploitative corporations.) This one goes into emotions a lot more, asks questions about the nature of humanity, and yes, also delivers a lot of the wild political ride that the Expanse does. I found some of the “oh but wait” moments a little hard to follow sometimes—there is sometimes a lot in play—but that didn’t stop me fearfully turning pages to find out what happens now.
Oh, and the family dynamics are something else. There’s so much fear and misinterpretation and distrust that those almost make for a satisfying story on their own. And family history, especially childhoods, factor into the intrigue and adventure surprisingly often.
For all that I’m glowing about this book, though, I didn’t love-love it. Some of the narration kicked me out of the story, there were the moments I couldn’t always follow, and some of the more minor characters and moments just didn’t work for me. That said, it’s definitely a series I’m going to keep following and one I recommend, especially to fans of James S.A. Corey.
To bear in mind: Alcoholism. Maternal abuse. A really nasty bioweapon. A government that, if not fascist, is definitely getting there. PTSD and survivor’s guilt. Genre-typical violence and injury.
7.5/10
Thoughts: For a book that starts with a drunken crash landing, this did not go anywhere close to where I thought it would, and that’s a good thing. Of course, Merbeth delivers on space battles and smuggling shenanigans and everything else you’d expect from that scene, but this is also very much a story about trauma, family, interplanetary politics, ethics, and morality. It gets dark and deep, and it keeps you guessing as the problems just keep piling on.
Scorpia is by far my favourite character, though everyone with a lot of say in the story is well-written. She’s got this relentless optimism and creativity, but also a dark streak of cynicism and fear, and a lot of her arc is about dealing with the trauma of Mama’s parenting and what it means to be a good person. (She also makes poor choices when pretty girls are involved, which is endearing.) Corvus has a sadness and determination about him, Mama is objectively awful and terrifying, other characters show surprising depths just when you think they’re one-note, but Scorpia is definitely the star.
But it’s not the characters that shine here as much as it’s the solar system and the themes Merbeth’s exploring. She’s taken the premise of Single Biome Space Opera planets, added in “they will all kill you” and extinct aliens, and then delved into how the cultures and politics would shake out. It’s not good. Sometimes it’s genuinely bad. It’s entirely complicated, and the Kaiser family’s caught right in the vice between it all. In some ways, it’s like that gag of plugging one hole just for three more to open up, or maybe Whack-a-Mole, if the moles occasionally exploded.
And the themes? I’m used to space opera that’s either an adventurous romp or that really goes at some external issue. (See: the Expanse series and exploitative corporations.) This one goes into emotions a lot more, asks questions about the nature of humanity, and yes, also delivers a lot of the wild political ride that the Expanse does. I found some of the “oh but wait” moments a little hard to follow sometimes—there is sometimes a lot in play—but that didn’t stop me fearfully turning pages to find out what happens now.
Oh, and the family dynamics are something else. There’s so much fear and misinterpretation and distrust that those almost make for a satisfying story on their own. And family history, especially childhoods, factor into the intrigue and adventure surprisingly often.
For all that I’m glowing about this book, though, I didn’t love-love it. Some of the narration kicked me out of the story, there were the moments I couldn’t always follow, and some of the more minor characters and moments just didn’t work for me. That said, it’s definitely a series I’m going to keep following and one I recommend, especially to fans of James S.A. Corey.
To bear in mind: Alcoholism. Maternal abuse. A really nasty bioweapon. A government that, if not fascist, is definitely getting there. PTSD and survivor’s guilt. Genre-typical violence and injury.
7.5/10