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A review by deedireads
All This Could Be Different by Sarah Thankam Mathews
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
All my reviews live at https://deedispeaking.com/reads/.
TL;DR REVIEW:
All This Could Be Different is a very millennial novel (in a good way) that takes a lot of what works in many successful books today, mashes it, and adds to it to creates something that feels wholly fresh and original.
For you if: You like sad girl novels but want a protagonist who isn’t just another white woman.
FULL REVIEW:
All This Could Be Different is a smart, impressive debut, and I’m very glad that the National Book Award put it in my hands. Think sad girl literature, but but make it a queer, first-gen immigrant, South Asian protagonist. Mathews takes a lot of the things that modernly successful books do well and builds on them in a way that feels fresh and novel.
The story is about Sneha, a young woman who graduated college into the midst of the 2008 recession. Her parents have moved back to India and she’s found a contract job as a corporate consultant in Milwaukee. When she’s not working, she’s on dating apps or finding girls to take home in bars, but also looking for new friends to forge connections with. Eventually she meets a dancer named Marina and they hit it off. Things are good — until they’re not.
This is — and I mean this in the best way — a very millennial book. It’s a bildungsroman (early adulthood novel) that nails the entry-level corporate hustle, the way it asks you to tie your identity to your job while you try to figure out who you are outside it; trying to climb a ladder while exploring friendship and love and holding onto yourself even if you don’t always know who you are. I think all young women understand this struggle. But of course, Mathews brings so much more here with Sneha being a first-gen, non-citizen immigrant. I don’t have those experiences personally, but I’ve seen a lot of reviewers say they felt deeply seen.
I also loved that Mathews allows Sneha to be young and imperfect and immature and a little ugly — she has some sexist thoughts and transphobic moments that wouldn’t have been uncommon in 2008. We get to see her grow and change in a way that feels true to her age and experiences, and that feels sort of rare nowadays.
This was a good one. Give it a go!
TL;DR REVIEW:
All This Could Be Different is a very millennial novel (in a good way) that takes a lot of what works in many successful books today, mashes it, and adds to it to creates something that feels wholly fresh and original.
For you if: You like sad girl novels but want a protagonist who isn’t just another white woman.
FULL REVIEW:
All This Could Be Different is a smart, impressive debut, and I’m very glad that the National Book Award put it in my hands. Think sad girl literature, but but make it a queer, first-gen immigrant, South Asian protagonist. Mathews takes a lot of the things that modernly successful books do well and builds on them in a way that feels fresh and novel.
The story is about Sneha, a young woman who graduated college into the midst of the 2008 recession. Her parents have moved back to India and she’s found a contract job as a corporate consultant in Milwaukee. When she’s not working, she’s on dating apps or finding girls to take home in bars, but also looking for new friends to forge connections with. Eventually she meets a dancer named Marina and they hit it off. Things are good — until they’re not.
This is — and I mean this in the best way — a very millennial book. It’s a bildungsroman (early adulthood novel) that nails the entry-level corporate hustle, the way it asks you to tie your identity to your job while you try to figure out who you are outside it; trying to climb a ladder while exploring friendship and love and holding onto yourself even if you don’t always know who you are. I think all young women understand this struggle. But of course, Mathews brings so much more here with Sneha being a first-gen, non-citizen immigrant. I don’t have those experiences personally, but I’ve seen a lot of reviewers say they felt deeply seen.
I also loved that Mathews allows Sneha to be young and imperfect and immature and a little ugly — she has some sexist thoughts and transphobic moments that wouldn’t have been uncommon in 2008. We get to see her grow and change in a way that feels true to her age and experiences, and that feels sort of rare nowadays.
This was a good one. Give it a go!
Content Warnings
Graphic: Racism and Xenophobia
Moderate: Transphobia and Addiction