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A review by authorannafaundez
The Road by Cormac McCarthy
challenging
dark
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
I liked this book. But I also didn't. Story-wise, it was slow and grueling and sad. Just as a book like this is expected to be. None of those adjectives are a negative.
There were odd choices in the formatting: no quotation marks when someone spoke, not always new paragraphs when someone spoke, extremely long paragraphs with no breaks besides scenes, and a strange aversion to commas. There were huge numbers of run-on sentences and fragments. These choices made the book skip a bit like an old record, or like a shopping cart bouncing over potholes.
The prose itself was excellent, but sometimes the poetry of it acted as a distraction. McCarthy seemed to struggle somewhat with a balance between experimental writing and readability. Sometimes the balance was perfect. Sometimes it was not. There was no connector between these times of "not" either, such as theme, mood, or memory.
I understand the why of the artistic style and formatting choices though: it's meant to slow you down, keep you a little disoriented and just off-step, to force the reader into the desired mood and the same patterns as the two main characters. It's done well. Really well.
Really, the formatting and readability--the way this book is written will definitely turn a fair amount of readers away--are the only reasons I gave the book less than 5 stars, because it drove me a little crazy sometimes too. But if you're up for a challenge and in the mood to be sad, I encourage giving this book a try.
There were odd choices in the formatting: no quotation marks when someone spoke, not always new paragraphs when someone spoke, extremely long paragraphs with no breaks besides scenes, and a strange aversion to commas. There were huge numbers of run-on sentences and fragments. These choices made the book skip a bit like an old record, or like a shopping cart bouncing over potholes.
The prose itself was excellent, but sometimes the poetry of it acted as a distraction. McCarthy seemed to struggle somewhat with a balance between experimental writing and readability. Sometimes the balance was perfect. Sometimes it was not. There was no connector between these times of "not" either, such as theme, mood, or memory.
I understand the why of the artistic style and formatting choices though: it's meant to slow you down, keep you a little disoriented and just off-step, to force the reader into the desired mood and the same patterns as the two main characters. It's done well. Really well.
Really, the formatting and readability--the way this book is written will definitely turn a fair amount of readers away--are the only reasons I gave the book less than 5 stars, because it drove me a little crazy sometimes too. But if you're up for a challenge and in the mood to be sad, I encourage giving this book a try.
Content Warnings
Moderate: Gun violence, Cannibalism, and Violence
Minor: Injury/Injury detail, Sexual violence, and Blood