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A review by atypicalley
Empire of the Vampire by Jay Kristoff
dark
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.25
I feel like I can tell you exactly what this author reads likes based on the lines I heard repeated — once or twice, almost word for word. Like… sorry bud, you can’t near-quote LOTR without me recognizing where it came from. So, this book is born of:
-Brent Weeks
-Patrick Rothfuss
-Bloodborne
-The Witcher
And that’s not necessarily a bad thing (though it gets a bit repetitive). I think the problem for me is, the author is using pieces of stories he loves without fully understanding why they worked in other instances.
We have a “novel in a novel” format, right? Straight out of Kingkiller chronicles, but with a less charming storyteller. But structurally, the time jumps are skipping the most interesting part of the story, and losing the sense of mystery that a time jump should build. I understood everything that’d happened between the 11 year time skip within a single chapter, with no mystery, no tension. But because we’d skipped the part where the love interest *became* the love interest, I also didn’t care.
We have a dark and gritty world, where all the women are overtly described and all the sex scenes begin or end with violence. Not for any particular *reason.* In fact, I’m of the opinion that the only sex scene that had any impact on the character and led to change happened when the MC was literally a child. It feels very Game of Thrones Season 1– aiming for shock and awe, ‘we can cuss on public television, we’re sooooo tough.” Oh, and also the horse dies. Because. It’s gotta be sad. But like… we never did any adventures with the horse? We’d literally just met the horse? Dark and gritty is all well and good— I knew what I was picking up. But that only works when there is some *opposite* to balance. Dark content is dark because it shows you the light first. Sadness is born of lost love. Pain is born of lost joy. But you only ever get the formers, and not the latters. So… I just didn’t care through most of the book. Probably would’ve DNF’d if I’d been reading physically.
The female characters are picked straight out of the Witcher. Hell, so is the main character. But the Maiden/Madonna/Whore complex is in fuuuuull glory over here, and it does get tedious.
-Brent Weeks
-Patrick Rothfuss
-Bloodborne
-The Witcher
And that’s not necessarily a bad thing (though it gets a bit repetitive). I think the problem for me is, the author is using pieces of stories he loves without fully understanding why they worked in other instances.
We have a “novel in a novel” format, right? Straight out of Kingkiller chronicles, but with a less charming storyteller. But structurally, the time jumps are skipping the most interesting part of the story, and losing the sense of mystery that a time jump should build. I understood everything that’d happened between the 11 year time skip within a single chapter, with no mystery, no tension. But because we’d skipped the part where the love interest *became* the love interest, I also didn’t care.
We have a dark and gritty world, where all the women are overtly described and all the sex scenes begin or end with violence. Not for any particular *reason.* In fact, I’m of the opinion that the only sex scene that had any impact on the character and led to change happened when the MC was literally a child. It feels very Game of Thrones Season 1– aiming for shock and awe, ‘we can cuss on public television, we’re sooooo tough.” Oh, and also the horse dies. Because. It’s gotta be sad. But like… we never did any adventures with the horse? We’d literally just met the horse? Dark and gritty is all well and good— I knew what I was picking up. But that only works when there is some *opposite* to balance. Dark content is dark because it shows you the light first. Sadness is born of lost love. Pain is born of lost joy. But you only ever get the formers, and not the latters. So… I just didn’t care through most of the book. Probably would’ve DNF’d if I’d been reading physically.
The female characters are picked straight out of the Witcher. Hell, so is the main character. But the Maiden/Madonna/Whore complex is in fuuuuull glory over here, and it does get tedious.
Content Warnings
Graphic: Alcoholism, Child abuse, Cursing, Death, Domestic abuse, Gore, Misogyny, Pedophilia, Rape, Sexual violence, Suicide, Violence, Blood, Religious bigotry, Murder, Alcohol, and Injury/Injury detail