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The last third of this thriller (Francis’s third) is amazing in how the writer creates different types of suspense. In one scene it’s all conversational as an innocent character walks into a setting of menace and the narrator-hero is trying to get her to leave without alerting the villains (discrepant levels of awareness, in other words); in other scenes it’s more physical or time-related as with a race to prevent a calamity. The book takes a bit to get all the elements in place (as the villains’ scheme is intricate), but after the hero meets the second daughter (chapter 12 of 19), it’s difficult to put the book down.