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A review by ridgewaygirl
Hausfrau by Jill Alexander Essbaum
4.0
I first heard about Jill Alexander Essbaum's novel when it was mentioned as the next Fifty Shades of Grey, which pretty much made me dismiss it out of hand. Then I began to run into laudatory mentions, including in The New York Times Book Review podcast, and a review here by a reader whose opinion I think highly of. So when I saw it in the bookstore, I had to pick it up and read it right away.
It really, really is not like Fifty Shades of Grey. The protagonist, Anna, lacks agency, preferring to just go along with whatever anyone with a stronger personality suggests. She gets married and has three children without putting much thought into it and, now living in Switzerland, near Zurich, she lives as a stay-at-home mom, not so much by choice, but simply because she hasn't made an effort to do anything on her own. She neither drives nor has a bank account. Her mother-in-law does a large part of the childcare duties, leaving Anna adrift and depressed. She eventually, at the urging of her husband, begins therapy and, after nine years in Switzerland, begins learning German. She falls into various affairs, and it's here that things begin to get messy for Anna. She keeps the affairs to herself, of course, but they adds a level of chaos to a life she already has no control over.
Hausfrau is told solely from Anna's perspective, which is often frustrating and myopic. She's entirely consumed by her own unhappiness, and is unable to care about the feelings of those around her. Essbaum manages to pull this off; Anna is not a sympathetic character but she is understandable and her actions, or lack of action, make sense. And Essbaum's descriptions of being a foreigner in a strange land are written with the eye for detail of someone who has been in that position.
The story jumps around in time, but this works well. What is less effective are the scenes between Anna and her therapist. Sometimes the writing in these snippets is extraordinary, but too often the questions Anna asks are so trite as to be silly. Anna's no deep thinker and is committed to living an unexamined life, which is an integral part of her character, but it does make these encounters the dullest moments of the book. There's a watching-a-train-wreck-happen feel to this book, as from the inside of her head, the reader sees Anna fail to take action or fail to express herself over and over again.
It really, really is not like Fifty Shades of Grey. The protagonist, Anna, lacks agency, preferring to just go along with whatever anyone with a stronger personality suggests. She gets married and has three children without putting much thought into it and, now living in Switzerland, near Zurich, she lives as a stay-at-home mom, not so much by choice, but simply because she hasn't made an effort to do anything on her own. She neither drives nor has a bank account. Her mother-in-law does a large part of the childcare duties, leaving Anna adrift and depressed. She eventually, at the urging of her husband, begins therapy and, after nine years in Switzerland, begins learning German. She falls into various affairs, and it's here that things begin to get messy for Anna. She keeps the affairs to herself, of course, but they adds a level of chaos to a life she already has no control over.
Hausfrau is told solely from Anna's perspective, which is often frustrating and myopic. She's entirely consumed by her own unhappiness, and is unable to care about the feelings of those around her. Essbaum manages to pull this off; Anna is not a sympathetic character but she is understandable and her actions, or lack of action, make sense. And Essbaum's descriptions of being a foreigner in a strange land are written with the eye for detail of someone who has been in that position.
The story jumps around in time, but this works well. What is less effective are the scenes between Anna and her therapist. Sometimes the writing in these snippets is extraordinary, but too often the questions Anna asks are so trite as to be silly. Anna's no deep thinker and is committed to living an unexamined life, which is an integral part of her character, but it does make these encounters the dullest moments of the book. There's a watching-a-train-wreck-happen feel to this book, as from the inside of her head, the reader sees Anna fail to take action or fail to express herself over and over again.