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A review by kristinana
Angels & Insects: Two Novellas by A.S. Byatt
4.0
I quickly skimmed the first page of the other reader reviews of this book and discovered that my opinion in comparing the two novellas that comprise it is opposite of most readers. It seems most readers (from the top page, at least) prefer the first novella, "Morpho Eugenia" (the "Insects" section) to "The Conjugal Angel" (the "Angels" section).
For me, "Morpho Eugenia" was a little disappointing. I don't always need to be surprised by what I read, but the characters in this novella were a bit too derivative, the family secret incredibly obvious... well, actually, the whole plot and most of the characters were either obvious or one-dimensional. While I am utterly in awe of Byatt's ability to replicate Victorian prose debates about science and religion, I have to admit that, unlike her equally brilliant (but also beautiful and highly readable) faux Victorian poetry and fairy tales, I did not want to read her faux-Victorian debates. Ultimately things felt too simplistic; the story just didn't hang together for me.
So why the four stars? Well, part of it has to do with "The Conjugal Angel," which I'll get to in a minute. But part is that, despite my problems with the plot of "Morpho Eugenia," I have to admit that much of the imagery of the story has stuck with me. Especially the parts where human and insect sex and reproduction are compared. Ew, but also very haunting.
"The Conjugal Angel" I thought was completely brilliant. This could be my own personal bias in favor of stories about spiritualism, but in any case, I really loved it. It was different from any story I've recently read about spiritualists, in that it takes the idea seriously. To make it that much better, one of the main characters is Alfred Tennyson's sister... so there's lots of poetry and interpretation to boot, plus a beautifully imagined inner life of several historical figures. This novella, to me, approaches the achievements of Possession more nearly than the first; it is a gorgeous meditation on grief and love, the burdens of the past and how we idolize the dead, and how what is unseen to others can strangle us. Plus, lots of commentary on poetry and wordplay, and I love getting lost in Byatt's twisty sentence structure.
For me, "Morpho Eugenia" was a little disappointing. I don't always need to be surprised by what I read, but the characters in this novella were a bit too derivative, the family secret incredibly obvious... well, actually, the whole plot and most of the characters were either obvious or one-dimensional. While I am utterly in awe of Byatt's ability to replicate Victorian prose debates about science and religion, I have to admit that, unlike her equally brilliant (but also beautiful and highly readable) faux Victorian poetry and fairy tales, I did not want to read her faux-Victorian debates. Ultimately things felt too simplistic; the story just didn't hang together for me.
So why the four stars? Well, part of it has to do with "The Conjugal Angel," which I'll get to in a minute. But part is that, despite my problems with the plot of "Morpho Eugenia," I have to admit that much of the imagery of the story has stuck with me. Especially the parts where human and insect sex and reproduction are compared. Ew, but also very haunting.
"The Conjugal Angel" I thought was completely brilliant. This could be my own personal bias in favor of stories about spiritualism, but in any case, I really loved it. It was different from any story I've recently read about spiritualists, in that it takes the idea seriously. To make it that much better, one of the main characters is Alfred Tennyson's sister... so there's lots of poetry and interpretation to boot, plus a beautifully imagined inner life of several historical figures. This novella, to me, approaches the achievements of Possession more nearly than the first; it is a gorgeous meditation on grief and love, the burdens of the past and how we idolize the dead, and how what is unseen to others can strangle us. Plus, lots of commentary on poetry and wordplay, and I love getting lost in Byatt's twisty sentence structure.