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A review by abmochapman
The Final Girl Support Group by Grady Hendrix
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The Final Girl Support Group has such an interesting premise and didn’t necessarily disappoint, even though it was not exactly what I expected. It is, of course, mirrored after slasher movies and it focuses more on those themes than the support group itself. There is only one session with the main cast of final girls before their world starts to fall apart, again. From there, the plot inches forward until about halfway when it picks up and the book feels almost impossible to put down. The number of incredible, almost ridiculous twists is dizzying. As compelling as the climax is, I found it difficult to suspend my disbelief. The resolution is gratifying, but still, I am left with so many questions and pieces that don’t seem to fit together.
As other reviewers have said, that may be because The Final Girl Support Group doesn’t quite know what it wants to be. Is it a parody of slasher movies, or is it meant to be taken seriously as a thriller? Is it an ode to the genre, or is it a satirical deconstruction? Reviews praise it as having accomplished both, but I am a bit more conflicted. To me, the novel does not subvert its tropes as much as it relies on them.The main character, for example, is overly-cautious to recorrect the naivety that she blames for her final girl status. Yet, it is also her irrational and naïve choices that lead her once again into the arms of the monster. She should not have been able to survive but by some miracle, she does. Like the movies, it’s compelling but unbelievable.
Perhaps the best function the novel serves is to highlight our society’s disgusting obsession with and gross exploitation of victims of violence. The novel explicitly asks readers, “what does it say about us that so much of the entertainment we consume is about killing women?”. The plot, too, confirms the harm that movies and media that glorify mass murder can cause. It’s a very necessary conversation, and one that I am glad the horror genre is having. It’s interesting, though, because the novel is so self-aware except about how it might also contribute to the problem. Doesn’t it also exploit the phenomenon of violence against women (and our morbid curiosity about it) for entertainment and profit?
As other reviewers have said, that may be because The Final Girl Support Group doesn’t quite know what it wants to be. Is it a parody of slasher movies, or is it meant to be taken seriously as a thriller? Is it an ode to the genre, or is it a satirical deconstruction? Reviews praise it as having accomplished both, but I am a bit more conflicted. To me, the novel does not subvert its tropes as much as it relies on them.
Perhaps the best function the novel serves is to highlight our society’s disgusting obsession with and gross exploitation of victims of violence. The novel explicitly asks readers, “what does it say about us that so much of the entertainment we consume is about killing women?”. The plot, too, confirms the harm that movies and media that glorify mass murder can cause. It’s a very necessary conversation, and one that I am glad the horror genre is having. It’s interesting, though, because the novel is so self-aware except about how it might also contribute to the problem. Doesn’t it also exploit the phenomenon of violence against women (and our morbid curiosity about it) for entertainment and profit?
Content Warnings
Graphic: Gore, Gun violence, Mass/school shootings, Blood, Stalking, Terminal illness, Death, Injury/Injury detail, Murder, and Violence
Moderate: Animal cruelty, Mental illness, Police brutality, Excrement, Grief, Addiction, and Suicidal thoughts