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1. Why do authors introduce something grandiose only to trivialize it?
2. Why shoot for deep and complicated concepts if all you are going to do is focus on teenage romance?
3. Why is everyone so obsessed with destiny and meant-to-be? Is free will and responsibility for your own actions such a burden you need a scapegoat?
4. Why love triangles? Why? Are women that vain and shallow that, that’s all they seem to be able to write about?
5. Why do young-adult characters have to be defined by their uniqueness? Their stretched-out, absurd, there-is-no one-in-the-world-as-special-as-they-are specialness? Don’t ordinary people have a story to tell or is it worth listening only if it comes from a snowflake character?
6. Last but not least: “What a strange illusion it is to suppose that beauty is goodness.” Leo Tolstoy (1828-1910)
2. Why shoot for deep and complicated concepts if all you are going to do is focus on teenage romance?
3. Why is everyone so obsessed with destiny and meant-to-be? Is free will and responsibility for your own actions such a burden you need a scapegoat?
4. Why love triangles? Why? Are women that vain and shallow that, that’s all they seem to be able to write about?
5. Why do young-adult characters have to be defined by their uniqueness? Their stretched-out, absurd, there-is-no one-in-the-world-as-special-as-they-are specialness? Don’t ordinary people have a story to tell or is it worth listening only if it comes from a snowflake character?
6. Last but not least: “What a strange illusion it is to suppose that beauty is goodness.” Leo Tolstoy (1828-1910)