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A review by indecisivesailorscout
Girl in the Shadows by Gwenda Bond
2.0
I received a copy of this book from NetGalley in exchange for an honest review. Check out my original review here.
I've read glowing reviews of Gwenda Bond's [b:Girl on a Wire|17838538|Girl on a Wire|Gwenda Bond|https://d2arxad8u2l0g7.cloudfront.net/books/1397837172s/17838538.jpg|41801682], and looked forward to reading the follow-up through a new character's eyes. All of the fascinating and wonderful things about the Cirque American are still here in full force, with the major players from book one coming back to play a central role in this story. Think [b:Lola and the Boy Next Door|9961796|Lola and the Boy Next Door (Anna and the French Kiss, #2)|Stephanie Perkins|https://d2arxad8u2l0g7.cloudfront.net/books/1358271832s/9961796.jpg|7149084] with circus people and magicians - not just stage magicians, mind you, but real magic.
Unfortunately, the 'magic' of this circus sequel was lost on me. Not only was there very little circus description, but the whole thing felt less like reading a book and more like listening to my little sister describe her latest vacation. This is a common issue I have seen with first-person storytelling: instead of getting the full picture of the circus or the other characters in the book, we are seeing one person's vision of what's happening in front of her face, and then we're in her head hearing what she thinks about it. Moira is a classically unreliable narrator who can't be bothered to tell me what's actually going on around her before getting into the "he said/she said." Because of this issue, the book feels way too long, at nearly 400 pages of this nonsense:
Spoiler alert: She gets with the "distraction." They stay together despite the odds, and despite me growling at the book, "He lied to you! Dump his ass! What happened to 'dumb is dumb,' huh, Moira? Don't listen to him 'Moy...' you! What kind of nickname is 'Moy,' anyway?" Second spoiler: She isn't there to work, she's there to prove to her overbearing father that women can be magicians, too. Does that make this book feminist and inclusive? Disappointingly, not so much.
I gave this book 2 stars overall for weak storytelling, lack of character or world development, and for how bored I was after about halfway through. It's not a good read when you spend the second half of the book waiting for it to be over. If you really liked Girl on a Wire and want to see what happened to your favorite characters, it might be worth picking up, but I wouldn't recommend it to anyone else. If you really want to read a quality circus tale, pick up [b:The Night Circus|9361589|The Night Circus|Erin Morgenstern|https://d2arxad8u2l0g7.cloudfront.net/books/1387124618s/9361589.jpg|14245059] as soon as you can get your hands on it (and check out my review here!)
I've read glowing reviews of Gwenda Bond's [b:Girl on a Wire|17838538|Girl on a Wire|Gwenda Bond|https://d2arxad8u2l0g7.cloudfront.net/books/1397837172s/17838538.jpg|41801682], and looked forward to reading the follow-up through a new character's eyes. All of the fascinating and wonderful things about the Cirque American are still here in full force, with the major players from book one coming back to play a central role in this story. Think [b:Lola and the Boy Next Door|9961796|Lola and the Boy Next Door (Anna and the French Kiss, #2)|Stephanie Perkins|https://d2arxad8u2l0g7.cloudfront.net/books/1358271832s/9961796.jpg|7149084] with circus people and magicians - not just stage magicians, mind you, but real magic.
Unfortunately, the 'magic' of this circus sequel was lost on me. Not only was there very little circus description, but the whole thing felt less like reading a book and more like listening to my little sister describe her latest vacation. This is a common issue I have seen with first-person storytelling: instead of getting the full picture of the circus or the other characters in the book, we are seeing one person's vision of what's happening in front of her face, and then we're in her head hearing what she thinks about it. Moira is a classically unreliable narrator who can't be bothered to tell me what's actually going on around her before getting into the "he said/she said." Because of this issue, the book feels way too long, at nearly 400 pages of this nonsense:
"The knives formed a pretty, deadly heart shape. He took her hand, and she bowed, blushing. I bolted for the space in front of the next tent, my cheeks too. This was another excellent reminder that I wasn't here for distractions like Dez. I was here to work. Dumb was dumb."
Spoiler alert: She gets with the "distraction." They stay together despite the odds, and despite me growling at the book, "He lied to you! Dump his ass! What happened to 'dumb is dumb,' huh, Moira? Don't listen to him 'Moy...' you! What kind of nickname is 'Moy,' anyway?" Second spoiler: She isn't there to work, she's there to prove to her overbearing father that women can be magicians, too. Does that make this book feminist and inclusive? Disappointingly, not so much.
I gave this book 2 stars overall for weak storytelling, lack of character or world development, and for how bored I was after about halfway through. It's not a good read when you spend the second half of the book waiting for it to be over. If you really liked Girl on a Wire and want to see what happened to your favorite characters, it might be worth picking up, but I wouldn't recommend it to anyone else. If you really want to read a quality circus tale, pick up [b:The Night Circus|9361589|The Night Circus|Erin Morgenstern|https://d2arxad8u2l0g7.cloudfront.net/books/1387124618s/9361589.jpg|14245059] as soon as you can get your hands on it (and check out my review here!)