A review by emily_mh
A Marvellous Light by Freya Marske

emotional lighthearted mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.25

This book is what a true romantasy looks like for me. So often books are called romantasies when really they’re romances with a fantasy backdrop, or fantasies with a romantic element. A Marvellous Light is a book where one genre is given just as much weight as the other: the story is guided as much by classic romance-genre beats as it is by a thick, mysterious fantasy plot. I found this deeply enjoyable, as while I love a good queer romance, having a separate but relevant fantasy plot kept me fully engaged.
The romance was gorgeous. Robin and Edwin’s physical chemistry was palpable from their first meeting, but this was not to the detriment of their emotional chemistry. The slow, tentative path both men took to true vulnerability was lovely to read. I came away from the book with a full understanding of why Robin and Edwin fell for one other and why they loved each other. This may sound silly to say about a romance book, but I often find that authors don’t properly convey this in their romance plots and books. The romance here also had one of my favourite tropes: where the MCs have to live together because of x reason. The kinds of interactions this leads to are so fun to see play out.

On the other hand we have the fantasy storyline. I was greatly entertained by this, although I do have a couple of criticisms. What I really liked was that there was so much mystery. Robin and Edwin stumble upon and become entangled in a nefarious plot which they know nothing about, and want nothing to do with, but must get to the bottom of to save Robin’s life. Consequently, there’s a lot of researching and investigating, which was thrilling for me. The magical world that Robin and Edwin inhabit had quite a unique magic system. I could easily picture the system of cradling in my head, it being similar to the string games I played as a kid. It was really fun imagining how the movements looked, and what movements might set what spell boundary. I will say that it sometimes felt like the magic system had been written for the story, and not the story for the magical system, if that makes sense; like the way magic worked was at times too convenient.

One other criticism I had was that the characters would discuss the magical world and all these interesting magical places, but for the most part this book was set not at them but at country manors, which while magical, didn’t pique my interest in the same way. I think more variety of place would have done this book some good. Having said that, I don’t think the monotonous setting of the second book (a ship on the Atlantic) will bother me, as I find overnight transportation fascinating.
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