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A review by amy_in_the_city
Swordheart by T. Kingfisher
funny
lighthearted
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
This was overall a fun read! I loved Halla, with her curiosity about the world. I appreciated the way she protected herself by confusing and annoying people with her inane ramblings until they left her alone. Sarkis was great too. The real star of this book was Zale, the priest/lawyer. I loved them and the church of the White Rat so much. This book was so funny and the humor at times reminded me of Monty Python.
Sarkis kept alluding to some big secret he needed to tell Halla, and I was really expecting it to be something major and a plot twist. When it was finally revealed, my reaction was "Is that the big secret? That's it?" I thought Halla overreacted to that reveal as the secret had nothing to do with her at all and no effect on her life. It felt very contrived just to add in some conflict between the couple.
I liked how inclusive this world seemed to be of various LGBTQ+ identities, with one very notable exception. Same sex couples appeared to be widely accepted and to have the same rights as straight couples. The nonbinary character was never misgendered or questioned about their gender, even by the villains. This culture of acceptance integrated into the worldbuilding was what made it so shocking to me when towards the end of the book, there were several moments where the characters seemed very unaccepting of, and even hostile towards, asexual people. Halla had an unsatisfying sex life with her late husband and described him as having been uninterested in sex in general. Sarkis vilified the late husband for this and even said he wished he could hurt him. Eventually, they seemed to settle on seeing the late husband and his asexuality as a burden. There's a lot of language that suggests ace people are broken, like saying he'd have to be "half-dead not to be interested in you" or Sarkis saying his religion has no use for someone who can't please their partner. This all felt really uncalled for. It put a damper on my enjoyment of the book and left a bad taste. It's a shame because this had been such a cozy and fun book for me, but it ended with me feeling attacked.
Sarkis kept alluding to some big secret he needed to tell Halla, and I was really expecting it to be something major and a plot twist. When it was finally revealed, my reaction was "Is that the big secret? That's it?" I thought Halla overreacted to that reveal as the secret had nothing to do with her at all and no effect on her life. It felt very contrived just to add in some conflict between the couple.
I liked how inclusive this world seemed to be of various LGBTQ+ identities, with one very notable exception. Same sex couples appeared to be widely accepted and to have the same rights as straight couples. The nonbinary character was never misgendered or questioned about their gender, even by the villains. This culture of acceptance integrated into the worldbuilding was what made it so shocking to me when towards the end of the book, there were several moments where the characters seemed very unaccepting of, and even hostile towards, asexual people. Halla had an unsatisfying sex life with her late husband and described him as having been uninterested in sex in general. Sarkis vilified the late husband for this and even said he wished he could hurt him. Eventually, they seemed to settle on seeing the late husband and his asexuality as a burden. There's a lot of language that suggests ace people are broken, like saying he'd have to be "half-dead not to be interested in you" or Sarkis saying his religion has no use for someone who can't please their partner. This all felt really uncalled for. It put a damper on my enjoyment of the book and left a bad taste. It's a shame because this had been such a cozy and fun book for me, but it ended with me feeling attacked.
Content Warnings
Graphic: Blood, Suicide attempt, Violence, Death, Confinement, Domestic abuse, Injury/Injury detail, and Murder
Moderate: Acephobia/Arophobia and Sexual content
Minor: Sexism, Grief, War, and Religious bigotry