A review by starrysteph
The Spice Gate by Prashanth Srivatsa

adventurous hopeful tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

The Spice Gate was a colorful & creative standalone epic fantasy – while the world building wasn’t quite integrated smoothly and the dialogue was a bit awkward at times, I really appreciated the vision and journey.

In a land of eight distant kingdoms, spices are both power and balance. Each kingdom cultivates one critical spice, and each kingdom is connected to the others only through the magical Spice Gates, a gift from an ancient and powerful god.

Amir is a Carrier – the spicemark on his shoulder distinguishes him as a person who can travel through the Gates and transport spices from kingdom to kingdom. Though Carriers are critical to every aspect of society, they are a terribly oppressed group, essentially treated as slaves. Amir experiences extreme pain, both from moving through space in moments and from the sacks on his back, and he fears for the day his kid brother will enter the trade. 

He dreams of escaping the kingdoms and their cruel royalty altogether, and all he needs is one vial of the Poison (which will help his spicemark-less pregnant mother travel through the gates alongside her sons to live among rebellious pirates). But as Amir searches for his freedom, he gets sucked into a deeper conspiracy – and perhaps a revolution against everything he thought was true about his world.

I think this book has a challenging start - there’s a lot of info & lore tossed at you all at once in a bit of a clumsy way - and I can see a lot of readers DNFing this one. However, if you’re comfortable diving into new fantasy worlds and open to being a bit confused throughout the first chunk, I think it’s worth it. 

It’s a story about fighting back against oppression & the costs of revolution and reshaping, what it means to re-evaluate ancient traditions through a more just lens, and about what it means to be a good parent, child, and sibling. 

The romance element here is between Amir and Harini, a young woman who is also a throne keeper. Harini very readily dismisses the way she has been raised to view the world (we see this briefly in a flashback) and is wholeheartedly there for Amir. In my opinion, the nature of Amir and Harini’s relationship is a little too fairytale-esque when paired with the more brutal elements of their hierarchical world. I just don’t buy that Harini is SUCH an inherently good soul that she is able to immediately see past everything she has been told.

As far as the writing goes, I generally found it quite compelling. The dialogue was the biggest issue (differentiating between character voices, leaning into cliches, mixing words so it felt partially fantastical and partially modern, and so on). But the descriptions of places and the inventiveness of the magic system really let the author’s creativity shine, and I thought the action scenes were well done. 

My favorite elements were most definitely the mythological ones. The description of the ancient god was visceral and chilling. And the beasts who prowled the outer forests were just as good. The sensory elements (how the spices smelled - how they brought up emotions & memories - the tastes of food) were really beautiful, too.

CW: death (parent), classism, murder, gore, animal death, grief, addiction, mental health, abandonment, vomit, excrement

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(I received a free advance reader copy of this book; this is my honest review.)
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