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A review by dustghosts
Once There Were Wolves by Charlotte McConaghy
adventurous
challenging
dark
emotional
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
+ Beautifully written; McConaghy knows how to construct gorgeous, evocative sentences and scenes. I think this shines the most in her nature writing and an awe towards that subject resonates. There’s a lot of tenderness towards people and humans alike. The ending aside, the majority of the book struck emotionally true, even if not always relatable and often? Messy.
o An interesting and complicated array of characters who feel frustratingly human, though not necessarily… like “rational” humans. Despite not necessarily liking them, I found most of the people here to be engaging, and I think the mystery/thriller aspect of the story worked well because of this.
- Themes are muddy at best and troubling at the least favorable. This book covers a lot of ground (domestic abuse, the gray areas of morality, the human-animal conflict inherent in rewilding/conservation, codependency and shared-but-not trauma, the echoes of inaction, and so on) and doesn’t really strike true on most of them. A book doesn’t have to have a clear thesis but you could feel this one trying to get to it— there’s moralizing but no moral.
- While domestic and sexual violence are definitely key themes, the most direct victims of it are sidelined and written out of the story. It’s troubling to me to see Aggie and Lanie disappear from the narrative (one very literally) and for the arguable two main characters (and love interests) to be the two people cast as their could-be (but failed?) saviors.
o An interesting and complicated array of characters who feel frustratingly human, though not necessarily… like “rational” humans. Despite not necessarily liking them, I found most of the people here to be engaging, and I think the mystery/thriller aspect of the story worked well because of this.
- Themes are muddy at best and troubling at the least favorable. This book covers a lot of ground (domestic abuse, the gray areas of morality, the human-animal conflict inherent in rewilding/conservation, codependency and shared-but-not trauma, the echoes of inaction, and so on) and doesn’t really strike true on most of them. A book doesn’t have to have a clear thesis but you could feel this one trying to get to it— there’s moralizing but no moral.
- While domestic and sexual violence are definitely key themes, the most direct victims of it are sidelined and written out of the story. It’s troubling to me to see Aggie and Lanie disappear from the narrative (one very literally) and for the arguable two main characters (and love interests) to be the two people cast as their could-be (but failed?) saviors.
Graphic: Animal death, Domestic abuse, Rape, Sexual violence, Violence, Blood, Pregnancy, and Injury/Injury detail
Moderate: Death, Gore, Dementia, Grief, Death of parent, Murder, Gaslighting, and Abandonment
Minor: Suicide