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A review by theamyleblanc
Emmett by L.C. Rosen
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Emma isn't one of the more popular Austen adaptations so this book was very exciting. The cover is cheeky and cute. And maybe in my excitement, I was a little blind because I don't remember reading much of the summary at the time.
This sentence sets very high expectations: "A modern-day gay YA Emma, with the spikey social critique of Austen plus the lush over-the-top romance of Bridgerton."
The adage is true: comparison is the death of joy. The romance falls very short -- I was hesitant to even shelve this as a romance! There doesn't seem to be much in the way of social critique. In fact, Emmett seems consumed with appearances and afraid of failure and loss. It prevents a larger conversation from developing. There's potential here but it wasn't realized.
Another sentence from the summary that wasn't lived up to: "Emmett brings you lush romance all while exploring the complexities of queer culture." The only real exploration of queer culture is that almost everyone is queer. There are a myriad of queer identities and queer relationships shown in the story. But it hardly explores the complexities beyond the surface.
And that's the biggest issue here. When your readers know the source material, they know the shape of the story and are reading it to see your take. The characters, the pivotal moments, they need to be really well done. Otherwise, things feel flat and surface-y. I couldn't connect with any of the characters. I knew pretty much the way things would play out and the dialogue wasn't compelling. The one bright spot is Knight's musings on queer relationships. But it wasn't enough to make up for everything else.
I'm disappointed.
This sentence sets very high expectations: "A modern-day gay YA Emma, with the spikey social critique of Austen plus the lush over-the-top romance of Bridgerton."
The adage is true: comparison is the death of joy. The romance falls very short -- I was hesitant to even shelve this as a romance! There doesn't seem to be much in the way of social critique. In fact, Emmett seems consumed with appearances and afraid of failure and loss. It prevents a larger conversation from developing. There's potential here but it wasn't realized.
Another sentence from the summary that wasn't lived up to: "Emmett brings you lush romance all while exploring the complexities of queer culture." The only real exploration of queer culture is that almost everyone is queer. There are a myriad of queer identities and queer relationships shown in the story. But it hardly explores the complexities beyond the surface.
And that's the biggest issue here. When your readers know the source material, they know the shape of the story and are reading it to see your take. The characters, the pivotal moments, they need to be really well done. Otherwise, things feel flat and surface-y. I couldn't connect with any of the characters. I knew pretty much the way things would play out and the dialogue wasn't compelling. The one bright spot is Knight's musings on queer relationships. But it wasn't enough to make up for everything else.
I'm disappointed.