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A review by hoffmann_fanatic
The Buried Giant by Kazuo Ishiguro
4.0
For a book that is a fantasy novel by Kazuo Ishiguro, the people who have recommended this book to me are invariably neither fantasy fans nor Ishiguro fans, which always struck me as a bit of a curiosity. But I now realize that this makes perfect sense. For fantasy fans, this metaphysical, allegorical novel must seem rambling and derivative - for people who have read a lot of Ishiguro before, there's nothing new here. The Unconsoled, while confusing and long, is considerably more lighthearted, funnier, and optimistic than The Buried Giant - and one of the most impressionable books I have ever read. The Buried Giant hits hard in the moment, but that is largely the responsibility of the last few chapters.
The Buried Giant was my fifth Ishiguro, and, like Klara and the Sun, I felt he has been running out of plot and character tricks for a while. The slow reveal of the memories behind the mist, the coincidences of characters meeting each other, mysterious figures appearing on roads, and the sunny-at-first relationship of Axl and Beatrice, came straight out of his previous two novels. It was not until the ending that I found myself surprised or unable to predict a plot point - maybe I've been reading too much epic fantasy, but I wanted more.
Thematically, this might be Ishiguro's strongest and most committed novel. The book employs a wholehearted assault on fundamental Christianity, nationalism, and civil war, while raising sincere questions about the seemingly inverse relationship between objectivity and the building of community. The exceptionally creative ending was quite possibly my favorite of Ishiguro's thus far, and unlike in many of his other books, kept me sustained until the very end.
I will start recommending this as a starting point for readers looking to discover Ishiguro. Its pastoral aesthetic, accelerating plot, and committed themes are particularly convincing to readers of my Gen Z and millenial generation. This is Ishiguro at his most transparent, active, and sincere, and I anticipate this would have easily been five stars had I not encountered many of his tropes beforehand.
The Buried Giant was my fifth Ishiguro, and, like Klara and the Sun, I felt he has been running out of plot and character tricks for a while. The slow reveal of the memories behind the mist, the coincidences of characters meeting each other, mysterious figures appearing on roads, and the sunny-at-first relationship of Axl and Beatrice, came straight out of his previous two novels. It was not until the ending that I found myself surprised or unable to predict a plot point - maybe I've been reading too much epic fantasy, but I wanted more.
Thematically, this might be Ishiguro's strongest and most committed novel. The book employs a wholehearted assault on fundamental Christianity, nationalism, and civil war, while raising sincere questions about the seemingly inverse relationship between objectivity and the building of community. The exceptionally creative ending was quite possibly my favorite of Ishiguro's thus far, and unlike in many of his other books, kept me sustained until the very end.
I will start recommending this as a starting point for readers looking to discover Ishiguro. Its pastoral aesthetic, accelerating plot, and committed themes are particularly convincing to readers of my Gen Z and millenial generation. This is Ishiguro at his most transparent, active, and sincere, and I anticipate this would have easily been five stars had I not encountered many of his tropes beforehand.