A review by kaziaroo
The Lies of Locke Lamora by Scott Lynch

adventurous dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

This book was okay. I didn't love it, didn't hate it.

Things I liked:
- the characters and their relationships were likeable and interesting, and the side characters were fun
- it was entertaining to read and the ending was satisfying. It would be fine as a stand-alone read – I haven't yet decided whether to read the sequel
- the setting was very rich and felt like a real place – I loved the Falselight and the Elderglass structures. The religious and social settings were also interesting.

What I didn't like:
- Unfortunately my Kindle edition didn't come with a map but I think paper editions do. A map would have made the characters' movements easier to follow.
- There's a lot of swearing – obviously this is personal preference and I did get used to it after a while.
-  a lot of the dialogue felt very modern (and American) and at odds with the historical, Italian-inspired setting. Hearing members of the nobility coming out with phrases like "surely you must be kidding" was jarring and took me right out of the story. Characters of different social backgrounds also all seemed to talk in the same way.
- the pacing was all over the place. One moment there's a flurry of action and the next there's thirty pages of trying to swindle some stuffy bankers out of their clothes. I found the first half pretty boring and the second half only just made up for it. The narrative style is very episodic, almost more suited to a magazine or TV show than a novel.
- the main villain is very mysterious, but actually so much so that I found it harder to take him seriously. When we do find out more about him, it's in an info-dump right near the end of the book.
- although I praised the setting, I did find the book a bit too descriptive. I didn't really care what specific food the characters were eating or what it looked like, or the precise sectors of the city the characters walked through from A to B. Maybe if I'd had a map... The narrator also name-drops a lot, and my edition didn't have a glossary either. There are a lot of names of gods, locations, months/days, etc and I ended up skimming over whole sentences that were just a string of unfamiliar names that had no bearing on the rest of the book.

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