A review by slowburnsrus
Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.0

When I started this book I was bored by the clunky and self indulgent writing, and annoyed by the peak White Feminism critique of trauma and cultural appropriation that was far less thoughtful and nuanced than the Barbie movie. 

The root of my dissatisfaction is that reading about a character playing a game is like reading about a character working out…fun when you do it yourself, excruciating when we read the minutiae of another’s experience.

The strongest part of this book is its work with grief, and the metaphors around gaming in relation to grief and loss. That grabbed me in the second half and kept me reading.

But the writing feel excessively overwrought with not enough payoff in either plot or observations on the human condition to make me enjoy reading it. 

I cannot express how much I came to loathe many of the characters, particular Dov, the sexual harasser and groomer who (spoiler) gets a fucking redemption arc at the end of the book.

I was surprised that there were fewer attributions than I would expected in the authors note as I recognized many of the book’s references, and Sadie in particular was prone to insightful wanderings that so had definitely read before.

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