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leslie_d 's review for:
The Crowns of Croswald
by D.E. Night
3 1/2 stars.
The talented young scrivener Derwin Edgar Night is certain he is destined for greatness. Scaldrony maid Ivy Lovely knows only a grueling day in service to the Castle Plum and the occasional evening spent in the company of an ancient woods troll. Neither could possibly foresee what their futures would actually hold.
The Crowns of Croswald is a dream for middle grade readers of Harry Potter or Nevermoor or Gail Carson Levine. That said, fans of magical worlds with their magical schools will find Night’s imagination to be a singular one. The greatest pleasure in pulling the cork and popping into The Crowns of Croswald is the marvelous glanagerie Night has created. The creatures, the school, the magics, the pie…
The world of Croswald unfolds alongside the narrative. Night proves adept at helping the reader navigate both what would be familiar and unfamiliar to the narrator, her introductions to things like scaldrons and scrivenry smoothly slipped into the story. Creatures or magics less analogous will prove new to Ivy as well. Her new learning environment will become ours. And Ivy has a lot to learn.
The mystery surrounding Ivy Lovely is introduced early on, and I appreciate that Night doesn’t go small. The reader knows Ivy isn’t going to stay at Castle Plum long; her abilities are the very description of a future-scrivener. No, dear reader, there is something far stranger about Ivy Lovely. Don’t think the story won’t get bizarre—delightfully so.
Night not only rewards the reader collecting hints toward the mystery, but those with a sense of humor and a love for whimsy and fart jokes. The school’s means of transport and recruitment are humorous and perilous. I really love the Compass books, the maps, glanagerie and scrivenry. Of the way the school is arranged: the royals beside the sqwinches (scrivenry students), I’m intrigued more by the sqwinches. Even so, the variation and various attribution of the stones belonging to the royals are wonderful.
The school I keep mentioning is called Halls of Ivy… It is a cool set up, and Night draws an intriguing map of interior and exterior settings. I hope we get to return for further exploration. As it is, Night keeps the cast small and the exploration relevant and to the point; which isn’t to say the story will be brusque and without personality.
Where Night doesn’t rely on shorthand for her settings, she does with some of her cast. It isn’t a criticism when it comes to the supporting characters like Damaris, Hannelore, or Hayword. It is a bit of a problem with someone like Fyn Greeley, who happens to be quite convenient—and not in a delicious enough way…which is tricky because he has all the ingredients for “swoon worthy” and I think plenty of readers will hardly mind his strange propensity for popping up when and where he does. And Night makes it very easy to get as caught up in the ‘what-next’ as the plot is. Night tantalizes the reader with questions as to who Ivy is, what happened to a particular scrivener, and just what is going on with that Selector?
I enjoyed that surprising turn with Rebecca (e.g. bird), and I enjoy her and Ivy’s friendship. I am thoroughly impressed with the consistent characterization with which Night writes Ivy. Ivy is impulsive, which creates a great deal of exciting plot movement and development. The Crowns of Croswald is an excellent choice for the plot-driven reader. While you’ll be properly enchanted by the magical world, Night knows how to keep the reader focused on the intrigues at hand.
Night’s skill in translating her imagination, building worlds, and executing a plot with some beautifully unexpected turns makes for an exciting read and an easy recommendation. Add this one to your young insatiable reader’s magical library.
The talented young scrivener Derwin Edgar Night is certain he is destined for greatness. Scaldrony maid Ivy Lovely knows only a grueling day in service to the Castle Plum and the occasional evening spent in the company of an ancient woods troll. Neither could possibly foresee what their futures would actually hold.
The Crowns of Croswald is a dream for middle grade readers of Harry Potter or Nevermoor or Gail Carson Levine. That said, fans of magical worlds with their magical schools will find Night’s imagination to be a singular one. The greatest pleasure in pulling the cork and popping into The Crowns of Croswald is the marvelous glanagerie Night has created. The creatures, the school, the magics, the pie…
The world of Croswald unfolds alongside the narrative. Night proves adept at helping the reader navigate both what would be familiar and unfamiliar to the narrator, her introductions to things like scaldrons and scrivenry smoothly slipped into the story. Creatures or magics less analogous will prove new to Ivy as well. Her new learning environment will become ours. And Ivy has a lot to learn.
The mystery surrounding Ivy Lovely is introduced early on, and I appreciate that Night doesn’t go small. The reader knows Ivy isn’t going to stay at Castle Plum long; her abilities are the very description of a future-scrivener. No, dear reader, there is something far stranger about Ivy Lovely. Don’t think the story won’t get bizarre—delightfully so.
Night not only rewards the reader collecting hints toward the mystery, but those with a sense of humor and a love for whimsy and fart jokes. The school’s means of transport and recruitment are humorous and perilous. I really love the Compass books, the maps, glanagerie and scrivenry. Of the way the school is arranged: the royals beside the sqwinches (scrivenry students), I’m intrigued more by the sqwinches. Even so, the variation and various attribution of the stones belonging to the royals are wonderful.
The school I keep mentioning is called Halls of Ivy… It is a cool set up, and Night draws an intriguing map of interior and exterior settings. I hope we get to return for further exploration. As it is, Night keeps the cast small and the exploration relevant and to the point; which isn’t to say the story will be brusque and without personality.
Where Night doesn’t rely on shorthand for her settings, she does with some of her cast. It isn’t a criticism when it comes to the supporting characters like Damaris, Hannelore, or Hayword. It is a bit of a problem with someone like Fyn Greeley, who happens to be quite convenient—and not in a delicious enough way…which is tricky because he has all the ingredients for “swoon worthy” and I think plenty of readers will hardly mind his strange propensity for popping up when and where he does. And Night makes it very easy to get as caught up in the ‘what-next’ as the plot is. Night tantalizes the reader with questions as to who Ivy is, what happened to a particular scrivener, and just what is going on with that Selector?
I enjoyed that surprising turn with Rebecca (e.g. bird), and I enjoy her and Ivy’s friendship. I am thoroughly impressed with the consistent characterization with which Night writes Ivy. Ivy is impulsive, which creates a great deal of exciting plot movement and development. The Crowns of Croswald is an excellent choice for the plot-driven reader. While you’ll be properly enchanted by the magical world, Night knows how to keep the reader focused on the intrigues at hand.
Night’s skill in translating her imagination, building worlds, and executing a plot with some beautifully unexpected turns makes for an exciting read and an easy recommendation. Add this one to your young insatiable reader’s magical library.