A review by nwhyte
Richard II: A Brittle Glory by Laura Ashe

challenging fast-paced

4.0

https://fromtheheartofeurope.eu/richard-ii-a-brittle-glory-by-laura-ashe/

There are four chapters, each dealing with an area of kingship as practiced by Richard. In her prologue, Ashe makes the point that the court is not one of those four, because it was carried by the king wherever he went. The four areas are Parliament, the battlefield, the City of London (where Richard hand-picked his namesake Richard Whittington as Mayor), and the shrines connecting the King with God. 

The overall thesis is that Richard was driven by a concept of kingship where he was divinely appointed to lead, and did not need to keep people like the other magnates and the citizens of London on board with anything that he did. He felt this very deeply and it informs the Wilton Diptych, which is a personal statement of his religious beliefs which we can only dimly understand. Of course, it was not sustainable; he made too many enemies and was overthrown and (probably) killed.

It is worth reflecting that British constitutional history was a close run thing. If Richard had been even slightly more politically adept, or luckier, he could have assembled a coalition of favourite lords combined with urban stakeholders to support his personal rule without institutional safeguards, provided that there was something in it for them; and that could have proved a lasting political settlement. He was in fact lucky in how the Peasants’ Revolt played out, and that the Lords Appellant in the late 1380s also pushed their cause too far and allowed him to regain control for another decade.

As it was, the fact that Parliament successfully overthrew him one and a half times (counting 1388 as well as 1399) consolidated the English constitutional theory of Parliament as a sovereign institution which constrained the monarch, to the point of deciding who the monarch could be. Richard was clearly not interested in constitutional theory. If he had been, he might have lasted longer.

One point that I wished the book had spent more time on: Richard’s reign was a really good time for the arts in England. This is the age of Piers Plowman, Chaucer, Wycliff, Gower and the Pearl poet; and as mentioned the Wilton Diptych and the funeral monument in Westminster Abbey that Richard built for his first wife and where he was eventually laid to rest. I don’t think you would find a similar flowering of the arts in England for a century or two either before or after. Richard himself doesn’t deserve a lot of credit for this, but it’s worth noting.

There is a page on Richard’s temporarily successful campaign in Ireland in 1394, and half a page on his unsuccessful return in 1399. These were the only visits to Ireland by a reigning English monarch between King John in 1210 and William III in 1690.