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A review by tigger89
The Seep by Chana Porter
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This book was incredible. I can't think of any other piece of media I've consumed that has featured a middle-aged trans women who isn't particularly femme as the protagonist, so that alone was unique. I also enjoyed the take on a utopia, where you can see how much better things are while at the same time spotting the cracks where maybe there's something less-than-perfect under the surface. Yet there isn't some grand conspiracy to uncover. This isn't the story of how the alien invaders were unmasked and repelled. The utopia is presented as a good thing, probably(though, like all good speculative fiction, it does leave you wondering a little).
Rather, this is a story that deals primarily with grief, as we follow Trina mourning not just the loss of her wife but also that of the world she remembers. She rejects the Seep, choosing to do things the old way whenever possible, a perspective that leaves her unable to cope when confronted with new views on death and rebirth. Her devotion to the old ways is ultimately so destructive that it puts her own health at risk, an apt metaphor for what humanity is doing to our planet and each other with the way we live. It's a sad story, but beautiful as well.
The one thing I thought was a little odd was how Trina's heritage was handled. She's half Jewish and half Native American. My apologies, if the nation was specified I've forgotten it and can't locate it now. While her Jewishness is reflected upon somewhat in the narrative, her Native American heritage didn't seem to be explored to any degree beyond her name: Trina FastHorse Goldberg-Oneka. Now, I'm not trying to say that a character's heritage has to be important to the plot. Of course they can just be Jewish, or Chinese, or Ojibwe, or whatever. What stood out to me here was the lopsidedness of it, where one half of her identity was recognized in the story while the other was kind of just...there. Perhaps this is a fault of the reader, that I didn't know enough to recognize the moments when it was made relevant. It's very possible.
Rather, this is a story that deals primarily with grief, as we follow Trina mourning not just the loss of her wife but also that of the world she remembers. She rejects the Seep, choosing to do things the old way whenever possible, a perspective that leaves her unable to cope when confronted with new views on death and rebirth. Her devotion to the old ways is ultimately so destructive that it puts her own health at risk, an apt metaphor for what humanity is doing to our planet and each other with the way we live. It's a sad story, but beautiful as well.
The one thing I thought was a little odd was how Trina's heritage was handled. She's half Jewish and half Native American. My apologies, if the nation was specified I've forgotten it and can't locate it now. While her Jewishness is reflected upon somewhat in the narrative, her Native American heritage didn't seem to be explored to any degree beyond her name: Trina FastHorse Goldberg-Oneka. Now, I'm not trying to say that a character's heritage has to be important to the plot. Of course they can just be Jewish, or Chinese, or Ojibwe, or whatever. What stood out to me here was the lopsidedness of it, where one half of her identity was recognized in the story while the other was kind of just...there. Perhaps this is a fault of the reader, that I didn't know enough to recognize the moments when it was made relevant. It's very possible.
Content Warnings
Graphic: Alcohol, Alcoholism, Drug use, Abandonment, Addiction, and Grief
Moderate: Body horror
Minor: Death and Suicidal thoughts