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mortezagk 's review for:
Recollections of My Nonexistence
by Rebecca Solnit
سولنیت اینجا بیشتر از تجربهٔ حذف شدن/نادیده گرفته شدن در موقعیت‌ها و قالب‌های مختلف گفته، در مورد خودش، در مورد زنان، در مورد اقلیت‌ها.
بسیار به تجربه‌های خودش اشاره می‌کنه و گذار خودش از nonexistence به existence یا به عبارتی پیدا کردن صدایی از آن خودش رو شرح میده.
جایی با باریک‌بین در مورد تجربهٔ خواننده هنگام خواندن کتاب‌ها گفته، که اینجا می‌تونید بخونید:
“There is something astonishing about reading, about that suspension of your own time and place to travel into others’. It’s a way of disappearing from where you are—not quite entering the author’s mind but engaging with it so that something arises between your mind and hers. You translate words into your own images, faces, places, light and shade and sound and emotion. A world arises in your head that you have built at the author’s behest, and when you’re present in that world you’re absent from your own. You’re a phantom in both worlds and a god of sorts in the world that is not exactly the one the author wrote but some hybrid of her imagination and yours. The words are instructions, the book a kit, the full existence of the book something immaterial, internal, an event rather than an object, and then an influence and a memory. It’s the reader who brings the book to life.”
بسیار به تجربه‌های خودش اشاره می‌کنه و گذار خودش از nonexistence به existence یا به عبارتی پیدا کردن صدایی از آن خودش رو شرح میده.
جایی با باریک‌بین در مورد تجربهٔ خواننده هنگام خواندن کتاب‌ها گفته، که اینجا می‌تونید بخونید:
“There is something astonishing about reading, about that suspension of your own time and place to travel into others’. It’s a way of disappearing from where you are—not quite entering the author’s mind but engaging with it so that something arises between your mind and hers. You translate words into your own images, faces, places, light and shade and sound and emotion. A world arises in your head that you have built at the author’s behest, and when you’re present in that world you’re absent from your own. You’re a phantom in both worlds and a god of sorts in the world that is not exactly the one the author wrote but some hybrid of her imagination and yours. The words are instructions, the book a kit, the full existence of the book something immaterial, internal, an event rather than an object, and then an influence and a memory. It’s the reader who brings the book to life.”