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This is an esoteric novel that will be loved by some readers; unfortunately, I am not one of them.
Clara and Dempsey are 30-year-old twin sisters abandoned by their mother who presumably drowned in the Thames River. The girls were adopted separately and lived very different lives. Though they have reconnected, theirs is a difficult relationship. One day Clara sees a woman who looks exactly like their birth mother and even has her name, Serene Marie Nkem Droste, though she is the same age as the twins. Clara and Serene form an intense relationship, but Dempsey is skeptical and suspects Serene is a con artist. To complicate matters, Clara is a celebrity author who has written an autofiction book which she describes as “’a terrible tale about my mother, as though she told it to me herself.’” The book casts Serene “as some kind of witch-like siren from a bad part of town who cons everyone with her looks and ends up causing disaster.”
Both Clara and Dempsey are narrators in alternating chapters. Both are unreliable because both struggle with addiction and trauma which cloud their judgments. Each admits to hating her twin so comments need to be filtered by the reader. A couple of times, one sister narrates her version of a past event and then the subsequent chapter gives the other sister’s memory which may be contradictory. So what is the truth? Chapters of Clara’s novel are included as well; they add to the confusion because events in the book seem to mirror what is happening to Serene in the present. So what is going on?!
The writing style will catch the reader’s attention. Clara speaks about her body in an interesting way: “holding the head that is on my body” and “The body of mine gets into the car. The body of mine takes its trembling hands” and “These legs go to cross the road anyway.” Then there’s the imagery; the colour orange is mentioned 22 times. There are 46 references to “blue” though sometimes the word refers to colour and sometimes to mood. Olfactory imagery abounds: “vetiver-and-smoke scent” and “night-old brandy smell” and “smelling of geranium and patchouli” and “hints of musty river water.” Tactile imagery is also noticeable: “scaly skin” and “itchy rash.” It is the lyrical prose that most impressed me.
Much of the time it is difficult to understand what is real and what is imaginary. Confusion is compounded by references to shapeshifting and time travel, a character not belonging on this planet, a character feeling as if she is not real, and a character feeling like she is disappearing. There’s often a strange dream-like quality which is disorienting. Magic realism with its blurring of reality and fantasy is not a style I always enjoy.
To be perfectly honest, I struggled to keep reading. Pace at the beginning is slow, and because the characters are untrustworthy, they are unlikeable. I had problems connecting with anyone. There are poignant moments emphasizing “Not everyone gets a chance to have a mother, and life isn’t fair. You lose parts of your insides when you lose a mother.” However, these moments were not enough to overcome the disorientation I felt.
Though the writing style is descriptive and engaging, The Catch did not really catch me.
Note: I received an eARC from the publisher via NetGalley.