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A review by ridgewaygirl
The Hush by John Hart
2.0
This is a sequel of sorts to John Hart's debut novel, The Last Child. Set in North Carolina, among swamps and rugged hills, The Hush picks up a decade after the events of the previous novel. Johnny inherited 6,000 acres of land when he turned seventeen, and he's been living there ever since, in a shack he built himself. He's become a recluse in his wilderness, sleeping in trees and shooting at hunters who trespass on his land. He's spent time in prison, for shooting up the hunting camp of a powerful billionaire. Meanwhile, his best friend, Jack, has graduated from law school and has just started work in the most prestigious law firm in town.
But all is not well for Johnny. A law suit he can't afford to fight is threatening his home. And Jack sees Johnny changing in ways that make him unhappy. And when a dead body is discovered on Johnny's land, things become worse.
This is a horror novel of sorts, or at least it seems to be edging toward that genre. There's a supernatural force controlling the property, one which allows some to live, but kills others in horrific ways. Writing horror successfully is a difficult balancing act. Too little and the reader isn't scared, too much and it can suddenly veer from frightening to just silly. Hart does not manage to stick the landing. But whether or not the evil force is compelling or not is less important than Hart's handling of both women and African American history.
The women in this novel come in two varieties. Mothers are helpless, often addicted, and cannot parent their children. And the other woman of note is a lawyer, beautiful, manipulative and bad. We know this woman is bad because she is described as being a user and a taker soon after she makes an appearance. There's also a part of the plot involving an evil African princess and her African powers that made me deeply uncomfortable. It felt like an element out of a pulp novel from a different age and not in a good way. I'm not sure how this element could have worked in even the hands of a sensitive author. Hart was not at all sensitive. There is a ton of stuff going on, with plot lines and themes followed for a few pages or chapters and then discarded.
On the other hand, Hart has a talent for writing stories that compel the reader to keep turning pages. In the end, this was not enough to redeem this novel for me.
But all is not well for Johnny. A law suit he can't afford to fight is threatening his home. And Jack sees Johnny changing in ways that make him unhappy. And when a dead body is discovered on Johnny's land, things become worse.
This is a horror novel of sorts, or at least it seems to be edging toward that genre. There's a supernatural force controlling the property, one which allows some to live, but kills others in horrific ways. Writing horror successfully is a difficult balancing act. Too little and the reader isn't scared, too much and it can suddenly veer from frightening to just silly. Hart does not manage to stick the landing. But whether or not the evil force is compelling or not is less important than Hart's handling of both women and African American history.
The women in this novel come in two varieties. Mothers are helpless, often addicted, and cannot parent their children. And the other woman of note is a lawyer, beautiful, manipulative and bad. We know this woman is bad because she is described as being a user and a taker soon after she makes an appearance. There's also a part of the plot involving an evil African princess and her African powers that made me deeply uncomfortable. It felt like an element out of a pulp novel from a different age and not in a good way. I'm not sure how this element could have worked in even the hands of a sensitive author. Hart was not at all sensitive. There is a ton of stuff going on, with plot lines and themes followed for a few pages or chapters and then discarded.
On the other hand, Hart has a talent for writing stories that compel the reader to keep turning pages. In the end, this was not enough to redeem this novel for me.