5.0

How in the World (or Inferno or Purgatorio or Paradiso) am I supposed to review this work?

I could review the edition and translator, though I have nothing else to compare them against. Ciardi's notes at the end of each canto are always illuminating, sometimes funny and occasionally self-deprecating. I chuckled at Ciardi's humor and was appreciative of his honesty whenever he used a rhyme-forced addition, as well as the instance or two when he asked the reader to forgive his less-than-perfect poetry. He's both thorough and entertaining.

Use any adjective you'd like and it's bound to fit at least one part of Dante's work: condemnatory, fearful and exuberant; horrific, trepidatious and jubilant; political, personal and universal: there's really no point in my going on, especially now that I've used three sets of three.

I'd love to know what kind of person Dante became after finishing this work. He had to be changed in the course of its writing; it would be sad (and too human of him) to think otherwise.