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joannaautumn 's review for:

The Portrait of a Lady by Henry James
5.0

The writing style of Henry James elevates the book, I can’t imagine anyone else writing this story and having such control over the narration as Henry James had.
It’s a remarkable, stubborn work that requires the reader’s full attention, concentration, and engagement throughout the whole reading process.

In many ways, the character of Isabel Archer is a modern, new kind of heroine: The American girl. Her personality is strongly ruled over by curiosity, intelligence, and free spirit. The beauty in Isabel lies in her liberal nature, the inner qualities that make her magnetic to all of the observers in the novel, they make her a sort of a celestial body pulling and maintaining her satellites in their orbit.

The impression that the reader has of Isabel, the one which James is presenting, can be seen as a collection of individual experiences that the characters have with Isabel. Just like, Lord Warburton, Ralph Touchett, Caspar Goodwood, Henrietta Stackpoole, Gilbert Osmond, Madame Merle, etc. observe Isabel and paint their Portrait of a lady, so does the reader.

We see Lady Isabel Archer through multiple points of view, left to draw our own impression on her character. There is no concrete, fixed idea of who Isabel is, even the characters change their opinion of her as the novel progresses. Henry James managed to present one life seen through many people around it and still it not being an accurate representation of that life.

“We see our lives from our own point of view; that is the privilege of the weakest and humblest of us all.”


In that context, the true antagonist of the novel wasn’t Madame Merle and Gilbert Osmond with their manipulative scheme, but the cold, dispassionate, lifeless aestheticism.
Both Osmond and Ralph are avid collectors of art, relatively young, rich, and with no distinctive career, both have a similar fascination with Isabel, one wishes to possess her and the other to observe her, the main difference is that Ralph gains the sympathy of readers because he feels the guilt of his actions that lead Isabel to the life she otherwise wouldn’t have had a chance to live. Both belong on the same scale on different ends, framing Isabel as a work of art, not an individual.

On the other hand, Isabel has only one goal – to reach independence and to live freely. Clearly, social expectations put certain pressure on her, but her true problem is her tragic flaw: her immaturity and inexperience. She doesn’t know of the existence of people as Osmond, Mme. Merle. She is attracted to Osmond because he presents something new, unseen, left to be filled with substance. He draws her in with his surface appeal of independence and mystery.
A characteristic of Isabel is that she wants to live and experience everything on her skin, she reaches independence on the closing pages of the novel – her decision is left to be carried out outside the sight of any perceiver, the reader included.

‘‘Do you know where you are drifting?’’ Henrietta went on, holding out her bonnet delicately.
‘‘No, I haven’t the least idea, and I find it very pleasant not to know. A swift carriage, of a dark night, rattling with four horses over roads that one can’t see—that’s my idea of happiness.’’


The conclusion of the novel echoes just as loudly as the closing of the door at the end of Ibsen’s Noora, both women are left to do with their lives what they want, achieving liberty.

A forte of Henry James is the brilliance of the form, the stylization of the language, the beauty of a wide array of words, phrases used in the novel.
I believe that if one would read this novel, read it carefully, they would understand life closely – more intimately than before.

"The peril for you is that you live too much in the world of your own dreams. You’re not enough in contact with reality––with the toiling, striving, suffering, I may even say sinning, world that surrounds you. You’re too fastidious; you’ve too many graceful illusions. Your newly-acquired thousands will shut you up more and more to the society of a few selfish and heartless people who will be interested in keeping them up.’

Isabel’s eyes expanded as she gazed at this lurid scene. ‘What are my illusions?’ she asked. ‘I try so hard not to have any.’

‘Well,’ said Henrietta, ‘you think you can lead a romantic life, that you can live by pleasing yourself and pleasing others. You’ll find you’re mistaken. Whatever life you lead you must put your soul in it––to make any sort of success of it; and from the moment you do that it ceases to be romance, I assure you: it becomes grim reality! And you can’t always please yourself; you must sometimes please other people. That, I admit, you’re very ready to do; but there’s another thing that’s still more important––you must often displease others. You must always be ready for that––you must never shrink from it. That doesn’t suit you at all––you’re too fond of admiration, you like to be thought well of. You think we can escape disagreeable duties by taking romantic views––that’s your great illusion, my dear. But we can’t. You must be prepared on many occasions in life to please no one at all––not even yourself.’

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Update: 15.12.2021. I tried writing a review for the book and failed, Henry James has me stupefied by his greatness, I haven't stopped thinking about Isabel Archer ever since I finished this novel - which is the highest praise for any book.
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The absolute perfection of a novel!

I admit it took a while(more like 200 pages) for me to really get into it, but I am so glad I continued reading - such a pleasant surprise, definitely will be thinking about this book in the next few weeks(my book is full of annotations) or so.
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