A review by margozaldivar
Lapvona by Ottessa Moshfegh

dark funny reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Ottessa Moshfegh continuously surprises her readers with the way she can be subversive, writing about the most unorthodox themes– whether it be about the self-destructive ways a woman practices to get through life in the early 2000s, or the intricacies of human behavior explored through a medieval fiefdom. In many ways, she constantly challenges literary norms with “novels that live in an amoral universe, past the political agenda described on social media” (Bookforum, June 2021).

Grotesque and raw, with an accurate portrayal of religious hypocrisy, Lapvona is a musing on the human condition. There is no plot. The novel is character-driven, which— at this point— is what is so special about Moshfegh’s books. You get to delve into the mind of the persona without a harness. As for the setting, the imagery of what happens in the fiefdom stays with the reader. There is no middle ground. Some scenes are funny, demoralizing, and unsettling all at once. In spite of the age-old themes, the novel is a new take on bigotry and how it brings out the ugliest parts in humans, especially when they are starved of love. 
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