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A review by schneehutte
The Secret History by Donna Tartt
dark
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
After letting the book sit on my bookshelf for almost one year and a half, I've finally come to read it. And boy, I don't regret a thing!
The writing style from Donna Tartt was a surprise for good. Although it makes sense that a book about Classics students would have a particular style of writing itself - "literary" writing, so to speak - it wasn't tiring or repetitive to read. I appreciated the author's attention to detail and visuals in this book, and you can see each character's mannerisms through the writing. I am not sure if it was intentional, but I loved the parallels to Dostoevsky's work. I would describe "The Secret History" as a modern retelling - with sparkles of dark academia tropes - of "Crime and Punishment", which sounds like the exact thing I would enjoy. Therefore I am not surprised to rate this book so high on my list.
I suppose I can understand the disappointment of the people who expected a murder mystery out of this book - so I am here to tell you now: it really isn't. The murder is revealed in the prologue, and it becomes quite clear who has done it as the pages go by. Besides, I believe it was the author's intention to portray all the characters in the group as being to some extent responsible for the murder, as it is their shared guilt that haunts them and leads them to their downfall (Crime and Punishment vibes!).
The characters aren't lovable, nor they are meant to be. I kept in mind that this whole story was told from the perspective of the main character Richard, who acted for the most part almost like a bystander in many events of the book. Therefore I would assume that his vision of many characters such as Camilla, Henry, Julian, and many more, is completely romanticized and inaccurate. But I believe that only comes to show how unlikable in "real life" Richard truly is, and how he fits with the rest of the group by being just as arrogant as everyone else - despite coming from humbler origins. However, the scene where he wants to hurt - even rape - Camilla surprised me how low he was. I am not sure it fits entirely his character and I must confess, I had to read that passage a couple of times...
I thought the pacing hurt the overall progression a little. Despite liking slow-paced books, some passages were daunting to read and it was difficult to keep up with the motivation. But when it ramps up, then it ramps up - and you have no idea where the book is going, which adds more and more to the mysterious aspect that surrounds the characters around Richard (especially Henry). Almost all the characters - even not-so-important ones such as Judy - had strong personalities and I liked reading about them.
The ending was somewhat satisfying, but I don't think there is much to add to this. A story this dark and creepy couldn't have a positive ending without sounding strange - so I am glad it decided to take a "middle-ground" route, so to speak. What I would have enjoyed seeing more was the ritual that Henry, Camilla, Francis, and Charles did, which resulted in the death of the first man. I think the exploration of "losing control of yourself" could have been more interesting as just saying "yeah we kinda did that" and having just a monologue about it.
Despite referencing Greek myths and literature, it is not necessary to have much knowledge of them to understand the story, which is good. I'm on break right now, do you think I want to spend my time doing supplementary reading?
The writing style from Donna Tartt was a surprise for good. Although it makes sense that a book about Classics students would have a particular style of writing itself - "literary" writing, so to speak - it wasn't tiring or repetitive to read. I appreciated the author's attention to detail and visuals in this book, and you can see each character's mannerisms through the writing. I am not sure if it was intentional, but I loved the parallels to Dostoevsky's work. I would describe "The Secret History" as a modern retelling - with sparkles of dark academia tropes - of "Crime and Punishment", which sounds like the exact thing I would enjoy. Therefore I am not surprised to rate this book so high on my list.
I suppose I can understand the disappointment of the people who expected a murder mystery out of this book - so I am here to tell you now: it really isn't. The murder is revealed in the prologue, and it becomes quite clear who has done it as the pages go by. Besides, I believe it was the author's intention to portray all the characters in the group as being to some extent responsible for the murder, as it is their shared guilt that haunts them and leads them to their downfall (Crime and Punishment vibes!).
The characters aren't lovable, nor they are meant to be. I kept in mind that this whole story was told from the perspective of the main character Richard, who acted for the most part almost like a bystander in many events of the book. Therefore I would assume that his vision of many characters such as Camilla, Henry, Julian, and many more, is completely romanticized and inaccurate. But I believe that only comes to show how unlikable in "real life" Richard truly is, and how he fits with the rest of the group by being just as arrogant as everyone else - despite coming from humbler origins.
I thought the pacing hurt the overall progression a little. Despite liking slow-paced books, some passages were daunting to read and it was difficult to keep up with the motivation. But when it ramps up, then it ramps up - and you have no idea where the book is going, which adds more and more to the mysterious aspect that surrounds the characters around Richard (especially Henry). Almost all the characters - even not-so-important ones such as Judy - had strong personalities and I liked reading about them.
The ending was somewhat satisfying, but I don't think there is much to add to this. A story this dark and creepy couldn't have a positive ending without sounding strange - so I am glad it decided to take a "middle-ground" route, so to speak.
Despite referencing Greek myths and literature, it is not necessary to have much knowledge of them to understand the story, which is good. I'm on break right now, do you think I want to spend my time doing supplementary reading?
Graphic: Addiction, Bullying, Drug abuse, Drug use, Self harm, Murder, Toxic friendship, and Alcohol
Moderate: Animal cruelty, Animal death, Incest, and Blood