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A review by ruthypoo2
The Bluest Eye by Toni Morrison
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
This is the first book by Toni Morrison that I've read. Her writing is lovely and lyrical despite the story in this case being told primarily from the perspective of older children and dealing with some genuinely painful and ugly human behavior. Additionally, I listened to the audiobook as the narrator is Toni Morrison, and in this case, I felt it really enhanced the experience hearing a story in the voice of the author.
The Foreward of the book sets the tone by starting with the following, "There can't be anyone, I am sure, who doesn't know what it feels like to be disliked, even rejected, momentarily or for sustained periods of time. Perhaps the feeling is merely indifference, mild annoyance, but it may also be hurt. It may even be that some of us know what it is like to be actually hated - hated for things we have no control over and cannot change."
The primary individual in the story, the one with a common thread throughout, is eleven-year-old Pecola Breedlove. She's a demure child already broken down by a harsh life of indifferent parents and the taunts of too many bullies, sometimes school children and sometimes family. The most common and reliable narrator in the book is eight-year-old Claudia MacTeer. She and her twelve-year-old sister, Frieda, are as true of friends to Pecola as anyone in her life will be. The story is set in a time right after the Great Depression, as the country is recovering. Claudia shares how her and Frieda's life is comfortable, and they live in a sometimes harsh, but happy and stable home. One day Pecola enters their life and from this point the reader learns about other characters with Claudia as the narrator or via third person narrative with inset narratives, resulting in differing people's experiences at differing points in time. These inset first person narratives give the reader more of the backstory, or formative years, for various characters in the story. I thought this was a great way to create an immersive experience for the reader.
This book deals with many heavy subjects, and chief among them is how young Pecola was dealt a very bad hand in life and ended up accepting as truth that her life was of little value because of the way she was talked to, talked about, treated, and mistreated. Pecola's idea of a perfect life was associated with whiteness and having blue eyes, so maybe if she had blue eyes, she could escape her painful life.
This book really feels like it's a story you're hearing from some intelligent but cautious children living in a complex world where they understand a lot more than you want to believe children that age should know. They're self-sufficient because they have to be and, in many ways, this makes them able to survive the hazards and ugly truth that comes into their lives. While there are really rough edges to this story, the resilience of child narrator Claudia helps make it easier to digest when some characters in the book do not get a happy ending.
The Foreward of the book sets the tone by starting with the following, "There can't be anyone, I am sure, who doesn't know what it feels like to be disliked, even rejected, momentarily or for sustained periods of time. Perhaps the feeling is merely indifference, mild annoyance, but it may also be hurt. It may even be that some of us know what it is like to be actually hated - hated for things we have no control over and cannot change."
The primary individual in the story, the one with a common thread throughout, is eleven-year-old Pecola Breedlove. She's a demure child already broken down by a harsh life of indifferent parents and the taunts of too many bullies, sometimes school children and sometimes family. The most common and reliable narrator in the book is eight-year-old Claudia MacTeer. She and her twelve-year-old sister, Frieda, are as true of friends to Pecola as anyone in her life will be. The story is set in a time right after the Great Depression, as the country is recovering. Claudia shares how her and Frieda's life is comfortable, and they live in a sometimes harsh, but happy and stable home. One day Pecola enters their life and from this point the reader learns about other characters with Claudia as the narrator or via third person narrative with inset narratives, resulting in differing people's experiences at differing points in time. These inset first person narratives give the reader more of the backstory, or formative years, for various characters in the story. I thought this was a great way to create an immersive experience for the reader.
This book deals with many heavy subjects, and chief among them is how young Pecola was dealt a very bad hand in life and ended up accepting as truth that her life was of little value because of the way she was talked to, talked about, treated, and mistreated. Pecola's idea of a perfect life was associated with whiteness and having blue eyes, so maybe if she had blue eyes, she could escape her painful life.
This book really feels like it's a story you're hearing from some intelligent but cautious children living in a complex world where they understand a lot more than you want to believe children that age should know. They're self-sufficient because they have to be and, in many ways, this makes them able to survive the hazards and ugly truth that comes into their lives. While there are really rough edges to this story, the resilience of child narrator Claudia helps make it easier to digest when some characters in the book do not get a happy ending.
Content Warnings
Moderate: Animal cruelty, Child abuse, Animal death, Incest, Racial slurs, Rape, Sexual assault, Racism, Sexual content, Adult/minor relationship, Pedophilia, Domestic abuse, and Emotional abuse
Minor: Infidelity, Mental illness, Pregnancy, Death, Alcoholism, Bullying, Classism, Hate crime, Excrement, and Miscarriage