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A review by lauren_endnotes
Inter Ice Age 4 by Kōbō Abe
"The future is forever a projection of the present."
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From INTER ICE AGE 4 by Kōbō Abe, tr. from the Japanese by E. Dale Saunders, 1958/1970.
#JanuaryinJapan
Originally published in serialized form in SEKAI journal in 1958 -1959, Abe's early science fiction tale is psycho-ecological science fantasy & horror. Katsumi is a scientist creating a future forecasting machine. In searching for his first test subject, he uncovers a murder plot, AND a cabal of scientists harvesting bodies, and genetically engineering creatures to live in a post-flood underwater Japan.
There's a lot going on here in just 220 pages. There is an episodic nature to the story, no doubt due to its serialized origin.
The early part of the book was hard to grasp, but I am glad I stuck with it, as I was rewarded by a superb level of surrealist weirdness, and some intriguing philosophical thought experiments; an ontological question that comes up a few times, posed by the scientists: Is murder wrong because it ends a life or because it denies a future?
▪️Some comparisons / name dropping:
Abe's varied themes in INTER ICE AGE 4 reminded me of "future crimes" in Philip K. Dick's "Minority Report", the surveillance of Orwell's 1984, the slipstream weird + esoteric horror of Anna Kavan's ICE, refractions of Adolfo Bioy Casares' INVENTION of Morel, and H.G. Wells' body horror in THE ISLAND of Dr. Moreau.
While the pacing & flow were a little off, the concepts and questions here really interested me, and I'm eager to read more Abe after this first foray... Several of his others are in my stacks.
.
From INTER ICE AGE 4 by Kōbō Abe, tr. from the Japanese by E. Dale Saunders, 1958/1970.
#JanuaryinJapan
Originally published in serialized form in SEKAI journal in 1958 -1959, Abe's early science fiction tale is psycho-ecological science fantasy & horror. Katsumi is a scientist creating a future forecasting machine. In searching for his first test subject, he uncovers a murder plot, AND a cabal of scientists harvesting bodies, and genetically engineering creatures to live in a post-flood underwater Japan.
There's a lot going on here in just 220 pages. There is an episodic nature to the story, no doubt due to its serialized origin.
The early part of the book was hard to grasp, but I am glad I stuck with it, as I was rewarded by a superb level of surrealist weirdness, and some intriguing philosophical thought experiments; an ontological question that comes up a few times, posed by the scientists: Is murder wrong because it ends a life or because it denies a future?
▪️Some comparisons / name dropping:
Abe's varied themes in INTER ICE AGE 4 reminded me of "future crimes" in Philip K. Dick's "Minority Report", the surveillance of Orwell's 1984, the slipstream weird + esoteric horror of Anna Kavan's ICE, refractions of Adolfo Bioy Casares' INVENTION of Morel, and H.G. Wells' body horror in THE ISLAND of Dr. Moreau.
While the pacing & flow were a little off, the concepts and questions here really interested me, and I'm eager to read more Abe after this first foray... Several of his others are in my stacks.