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A review by brittaka
The Ballad of Songbirds and Snakes by Suzanne Collins
adventurous
challenging
dark
emotional
informative
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The Ballad of Songbirds and Snakes is an excellent prequel to the Hunger Games series! Using Snow’s first-person perspective and his internal musings on the state of nature debate, Collins does a masterful job of displaying the eighteen-year-old Coriolanus Snow’s descent into the bloodthirsty, villainous President Snow readers of the original series will recognize. On a philosophical level, I love that Collins uses this narrative to argue that Thomas Hobbes (who wrote that humanity needs to be controlled in order to be “civilized”) is wrong. Throughout the book, readers see firsthand that those who champion the need for oppressive and violent control and order only do so in the name in maintaining their own sense of supremacy. Snow doesn’t do any of what he does in this story for the Capitol, for the people of Panem, for Lucy Gray, or even for Tigris and the Grandma’am—it’s all for himself, to satiate his own unquenchable desire for power, authority, and complete control. Snow merely uses Hobbes’s philosophies to justify his violent and selfish actions, which (along with Lucy Gray’s contradicting belief that human beings are good at heart) promotes the idea that Hobbes and Snow have it wrong—an idea that Collins fully endorses in the Hunger Games series itself. In other words, this book says “be anti-facist!” and “ACAB” in all the best ways, and I highly recommend it to anyone who has read the original series!
Graphic: Confinement, Death, Toxic relationship, Murder, Gaslighting, Colonisation, and Classism
Moderate: Gun violence, Police brutality, and Grief
Minor: Animal death, Drug abuse, Drug use, and Death of parent