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A review by perpetualpages
Velvet Was the Night by Silvia Moreno-Garcia
adventurous
dark
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
CWs: (gang) violence; descriptions of graphic injury and blood; death; physical assault; some sexual content; some homophobic slurs; brief allusion to sexual harassment; and brief mention of a past predatory relationship
Silvia Moreno-Garcia, master literary shape-shifter, has done it once again in delivering a unique, fascinating story that's as compelling as it is challenging.
Velvet Was the Night is a historical noir thriller set in 1970's Mexico City. Because it is considered "noir," it's important to understand that noir is a specific subgenre of crime fiction characterized by morally ambiguous characters and viewpoints as well as cynicism. This book definitely hits that mark. You may not "agree" with the characters or "like" the characters, but they're undeniably compelling and trapped in a quickly spiraling set of circumstances. One of them is a member of a notorious gang and the other is a cynical broke woman who engages in petty theft just to feel something.
I like that neither of these characters actually care about finding this missing woman because they especially care about justice, but because they have vested transactional interest in tracking her down. Elvis is following Leonora's trail because that's what his boss ordered him to do, and Maite is only retracing Leonora's steps because the missing woman owes her money and she's hoping there's a hefty chunk of change at the end of the tunnel. I think it's fascinating they they're not especially motivated by justice, and furthermore it begs the question of what "justice" even means or looks like within this specific time period in Mexican history where political corruption was running rampant.
There's also a fascinating parallel between Maite and Elvis in the sense that neither of them are free to make their own choices. They always answer to someone else with more power, they're both trapped in these very fixed systems, and they both desire a different way of living for themselves.
Additionally, I think there's an interesting commentary on the parallel between "male fantasy" and "female fantasy" throughout the story. (As a non-binary person, it chafes me to use such reductive terms. But I do so for the sake of clarity.) The "male fantasy," embodied by Elvis' world, is shaped by desire for power, aggression, and violence. The "female fantasy," represented by Maite and her undying devotion to romance comics, revolves largely around desire/desirability, romance, sexual gratification, and drama. The story not only shows that there's more overlap between these two (seemingly) "opposite" fantasies than we often think, but that neither one is "better" than the other, because they're ultimately both just fantasies, not reality.
I also think it's fascinating that the official synopsis makes it seem like Maite and Elvis will eventually meet and formulate some kind of relationship, when that's not what actually happens. Their alternate narratives are completely separate for a majority of the story, but still strongly connected in the sense that Maite's actions might impact Elvis in some way, and vice versa, whether they realize it or not. There's almost more tension in the fact that they *don't* meet, because they're continuously circling each other and getting closer and closer to each other without actually knowing it. I think that’s a great dynamic that really adds an extra layer of tension on top of what’s already an intense mystery.
All in all, this is a very plot-forward story with strong political overtones and an ever-evolving air of mystery. While I wouldn't necessarily say it's my favorite of Silvia Moreno-Garcia's books, that's not a huge knock against it when you consider her incredible range as an author. She's still one of the best authors, in my humble opinion, and if you're hankering for an intense noir thriller that centers Mexico and Mexican characters, this would absolutely fit the bill and then some.
Silvia Moreno-Garcia, master literary shape-shifter, has done it once again in delivering a unique, fascinating story that's as compelling as it is challenging.
Velvet Was the Night is a historical noir thriller set in 1970's Mexico City. Because it is considered "noir," it's important to understand that noir is a specific subgenre of crime fiction characterized by morally ambiguous characters and viewpoints as well as cynicism. This book definitely hits that mark. You may not "agree" with the characters or "like" the characters, but they're undeniably compelling and trapped in a quickly spiraling set of circumstances. One of them is a member of a notorious gang and the other is a cynical broke woman who engages in petty theft just to feel something.
I like that neither of these characters actually care about finding this missing woman because they especially care about justice, but because they have vested transactional interest in tracking her down. Elvis is following Leonora's trail because that's what his boss ordered him to do, and Maite is only retracing Leonora's steps because the missing woman owes her money and she's hoping there's a hefty chunk of change at the end of the tunnel. I think it's fascinating they they're not especially motivated by justice, and furthermore it begs the question of what "justice" even means or looks like within this specific time period in Mexican history where political corruption was running rampant.
There's also a fascinating parallel between Maite and Elvis in the sense that neither of them are free to make their own choices. They always answer to someone else with more power, they're both trapped in these very fixed systems, and they both desire a different way of living for themselves.
Additionally, I think there's an interesting commentary on the parallel between "male fantasy" and "female fantasy" throughout the story. (As a non-binary person, it chafes me to use such reductive terms. But I do so for the sake of clarity.) The "male fantasy," embodied by Elvis' world, is shaped by desire for power, aggression, and violence. The "female fantasy," represented by Maite and her undying devotion to romance comics, revolves largely around desire/desirability, romance, sexual gratification, and drama. The story not only shows that there's more overlap between these two (seemingly) "opposite" fantasies than we often think, but that neither one is "better" than the other, because they're ultimately both just fantasies, not reality.
I also think it's fascinating that the official synopsis makes it seem like Maite and Elvis will eventually meet and formulate some kind of relationship, when that's not what actually happens. Their alternate narratives are completely separate for a majority of the story, but still strongly connected in the sense that Maite's actions might impact Elvis in some way, and vice versa, whether they realize it or not. There's almost more tension in the fact that they *don't* meet, because they're continuously circling each other and getting closer and closer to each other without actually knowing it. I think that’s a great dynamic that really adds an extra layer of tension on top of what’s already an intense mystery.
All in all, this is a very plot-forward story with strong political overtones and an ever-evolving air of mystery. While I wouldn't necessarily say it's my favorite of Silvia Moreno-Garcia's books, that's not a huge knock against it when you consider her incredible range as an author. She's still one of the best authors, in my humble opinion, and if you're hankering for an intense noir thriller that centers Mexico and Mexican characters, this would absolutely fit the bill and then some.
Content Warnings
Graphic: Blood, Death, Gun violence, and Violence
Minor: Sexual content