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A review by kingrosereads
Yerba Buena by Nina LaCour
challenging
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
A sapphic piece of literary fiction that starts off great but falls flat halfway through.
This book starts off the way you expect it to as this kind of sad summer vibe with Sara and Emilie’s adolescent traumas. Sara’s childhood best friend turned girlfriend is found dead in a river which results in 16 year old Sara running away to LA. Emilie, at 15, witnesses her older sister overdose in their home. The books goes back and force between the two POVs and it also switches from their past and present throughout the book. This flow works at times and other times is very clunky. I found myself liking their stories separately but not really caring about their story together.
The book is advertised as being this romantic drama where these two women are connected by this one small thing, and they have to overcome their past trauma to make their relationship work. However, the women don’t meet until the halfway point. They meet briefly and then don’t meet for another year where it then takes a few months before they run into each other again and start a relationship that’s gone on for a couple of months before they hit a (albeit mild) snag that has them both questioning the relationship and their own self-worths. It’s this point that’s lost on me. Their connection is instant which I get and could be on board with, but then it’s all very instalove and high stakes when it’s only been a couple of months. And their entire relationship is brushed over. Which, if this is just literary fiction, say that, don’t advertise it as this romantic drama when the romance is barely in the book, and the romance that is there, is pretty insignificant. These women are 26 and 28, which is relatively young, but they’re acting like they’re 19 and 21.
I did like Emilie’s struggle with her Creole identity and passing, but it’s just kind of brushed over. Just like Sara’s past is brushed over.
The book eventually meanders through these two stories that takes away from the emotional aspect of the book. I’d honestly prefer if this was just their two respective stories to show maybe their hardships so you can connect to them, but make the stories more linear, only jumping back when it’s relevant. Then end with them meeting and leaving it open ended.
It gets points for the first half and actually getting my cold, dead heart to feel something.
This book starts off the way you expect it to as this kind of sad summer vibe with Sara and Emilie’s adolescent traumas. Sara’s childhood best friend turned girlfriend is found dead in a river which results in 16 year old Sara running away to LA. Emilie, at 15, witnesses her older sister overdose in their home. The books goes back and force between the two POVs and it also switches from their past and present throughout the book. This flow works at times and other times is very clunky. I found myself liking their stories separately but not really caring about their story together.
The book is advertised as being this romantic drama where these two women are connected by this one small thing, and they have to overcome their past trauma to make their relationship work. However, the women don’t meet until the halfway point. They meet briefly and then don’t meet for another year where it then takes a few months before they run into each other again and start a relationship that’s gone on for a couple of months before they hit a (albeit mild) snag that has them both questioning the relationship and their own self-worths. It’s this point that’s lost on me. Their connection is instant which I get and could be on board with, but then it’s all very instalove and high stakes when it’s only been a couple of months. And their entire relationship is brushed over. Which, if this is just literary fiction, say that, don’t advertise it as this romantic drama when the romance is barely in the book, and the romance that is there, is pretty insignificant. These women are 26 and 28, which is relatively young, but they’re acting like they’re 19 and 21.
I did like Emilie’s struggle with her Creole identity and passing, but it’s just kind of brushed over. Just like Sara’s past is brushed over.
The book eventually meanders through these two stories that takes away from the emotional aspect of the book. I’d honestly prefer if this was just their two respective stories to show maybe their hardships so you can connect to them, but make the stories more linear, only jumping back when it’s relevant. Then end with them meeting and leaving it open ended.
It gets points for the first half and actually getting my cold, dead heart to feel something.
Content Warnings
Moderate: Death, Drug abuse, Toxic relationship, Murder, Drug use, and Sexual assault
Minor: Death of parent, Trafficking, and Pedophilia