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A review by pantslint
The Stepford Wives by Ira Levin
dark
funny
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
I picked up this book because I've read that Don't Worry Darling (2022) was a poorly-done film copycat of The Stepford Wives. I love Levin's writing style; it's straightforward and easy to read, all the while being so descriptive that I can visually see the scenes and settings.
The premise is still so relevant (sadly) and the language and mechanics still hold up pretty well, so I can see how this book is a timeless classic. However, it's interesting to see how far feminist theory and female characters have comeāit's clear in Joanna's characterization.
She's not a perfect feminist (no one is), though the way that she, Charmaine, and Bobbie are written feel a little bit like caricatures in present-day. They're bad housewives: messy, loud, and they shirk responsibilities in favor of their personal hobbies. They eat McDonald's cheeseburgers in the car and play tennis. There is such a sharp contrast between them and the robotic Stepford Wives, for emphasis on how different and liberated they are in comparison, I guess? Though now, I'd say there's room for more nuance in feminist literature, and not so not-like-other-girls.
When Joanna meets Carol in the very first chapter, she observes how beautiful Carol is, and how perfect of a housewife she is. But Joanna's attitude irks the hell out of me.
The premise is still so relevant (sadly) and the language and mechanics still hold up pretty well, so I can see how this book is a timeless classic. However, it's interesting to see how far feminist theory and female characters have comeāit's clear in Joanna's characterization.
When Joanna meets Carol in the very first chapter, she observes how beautiful Carol is, and how perfect of a housewife she is. But Joanna's attitude irks the hell out of me.
No, she didn't know how it was, thank God. Not to be like that, a compulsive hausfrau. Who could blame Ted for taking advantage of such an asking-to-be-exploited patsy?
I have to read more of Levin's work. And I don't think I'll watch Olivia Wilde's movie.
Graphic: Gaslighting, Misogyny, and Sexism
Moderate: Domestic abuse, Sexual content, and Murder
Minor: Racism and Blood