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A review by stephxsu
The Fairy Godmother by Mercedes Lackey
4.0
I have heard of Mercedes Lackey, of course—what fantasy reader hasn’t?—but, until this book, had not read anything by her. I picked up THE FAIRY GODMOTHER on a whim in the bookstore, when I was still on a post-Crown Duel high and desiring a similarly pleasurable fantasy read. THE FAIRY GODMOTHER definitely fulfilled that desire of mine. It’s a wonderfully unique concept, crafted by the hands of a master.
The most amazing part about this book is the thoroughness with which Mercedes Lackey explores an original fantasy concept. There are some pretty standard tropes in fairy tales: long-suffering good girl gets the prince, magic helps the overlooked but goodhearted and deserving third son, and so on. Lackey takes those common expectations and transforms it into the Tradition, a powerful and often dangerously insistent magical force that tries to carry out its tropes without any regard to people’s different wishes, and that must be appeased through subtle manipulations. It’s enchantingly clever, a new take on the fractured fairy tale, and would give someone like me oodles of delight as we consider how Lackey lays out the plot and rules in this world.
The characters, in contrast, do not shine as strongly. Elena is a fine, strong female protagonist, but she doesn’t particularly stand out beyond being a typical fine, strong female protagonist. The main plot here is the magical one, and so the romantic subplot is exactly that—a subplot, feeling a little forced and out of place at times.
Overall, though, I thoroughly enjoyed THE FAIRY GODMOTHER on account of its wonderfully executed original concept. Upon finishing this book, I eagerly went out and found the other books in this series, and will look forward to delving into them when I get the chance!
The most amazing part about this book is the thoroughness with which Mercedes Lackey explores an original fantasy concept. There are some pretty standard tropes in fairy tales: long-suffering good girl gets the prince, magic helps the overlooked but goodhearted and deserving third son, and so on. Lackey takes those common expectations and transforms it into the Tradition, a powerful and often dangerously insistent magical force that tries to carry out its tropes without any regard to people’s different wishes, and that must be appeased through subtle manipulations. It’s enchantingly clever, a new take on the fractured fairy tale, and would give someone like me oodles of delight as we consider how Lackey lays out the plot and rules in this world.
The characters, in contrast, do not shine as strongly. Elena is a fine, strong female protagonist, but she doesn’t particularly stand out beyond being a typical fine, strong female protagonist. The main plot here is the magical one, and so the romantic subplot is exactly that—a subplot, feeling a little forced and out of place at times.
Overall, though, I thoroughly enjoyed THE FAIRY GODMOTHER on account of its wonderfully executed original concept. Upon finishing this book, I eagerly went out and found the other books in this series, and will look forward to delving into them when I get the chance!