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A review by katherineflitsch_
The Shards by Bret Easton Ellis
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Flaws of characters a main focus? Yes
5.0
Utterly chilled. If Stephen King isn’t dark or gory enough for you, if The Secret History wasn’t twisted or dramatic enough for you, if The Talented Mr. Ripley wasn’t mysterious or suspenseful enough for you, then Bret Easton Ellis’s THE SHARDS must be.
It’s been a while since a book has shocked me as much as this one did. It’s been a long while since a book has left me feeling so unsettled. I don’t know what much to say without giving away spoilers. But in the end you feel just as Susan feels holding Bret’s hand in that room. In the end you feel scared and horrified and dizzy with realization, with denial, and nausea. In the end you nearly want to be sick.
(In, like, a totally good way!)
Bret does suspense incredibly well. And he has mastered horror here, too. He blends evil with high school in such a glorious (and glittering) way: a student masks his violent identity just as a student masks his homosexuality in 1981; a teen boy is convinced his friend’s new boyfriend is a serial killer just as as teen boy is convinced his friend’s new boyfriend isn’t good enough for her; a boy grieves heartbreak just as a boy grieves the brutal murder of his first love. These layers pass over one another as delicately and fluidly as curtains sliding over one another moved by wind. In high school, you are terrified of things that you one day grow out of fearing, but in the moment of teenage psyche, the terror and horror of these things is crippling. In THE SHARDS, those teenage terrors are indistinguishable from actual tangible death and mutilation and evil. Bret contorts teenage angst into “legitimate” horror.
I read once somewhere that the difference between fear, terror, and horror is this (and I’m paraphrasing from murky memory): fear is walking in the woods at night and knowing that a wolf is prowling; terror is walking in the woods and seeing the wolf before you; horror is walking in the woods and realizing you have stepped right into the wolf’s trap. Bret Easton Ellis’s THE SHARDS encapsulates all three.
(Warning though: it is quite graphic.)
It’s been a while since a book has shocked me as much as this one did. It’s been a long while since a book has left me feeling so unsettled. I don’t know what much to say without giving away spoilers. But in the end you feel just as Susan feels holding Bret’s hand in that room. In the end you feel scared and horrified and dizzy with realization, with denial, and nausea. In the end you nearly want to be sick.
(In, like, a totally good way!)
Bret does suspense incredibly well. And he has mastered horror here, too. He blends evil with high school in such a glorious (and glittering) way: a student masks his violent identity just as a student masks his homosexuality in 1981; a teen boy is convinced his friend’s new boyfriend is a serial killer just as as teen boy is convinced his friend’s new boyfriend isn’t good enough for her; a boy grieves heartbreak just as a boy grieves the brutal murder of his first love. These layers pass over one another as delicately and fluidly as curtains sliding over one another moved by wind. In high school, you are terrified of things that you one day grow out of fearing, but in the moment of teenage psyche, the terror and horror of these things is crippling. In THE SHARDS, those teenage terrors are indistinguishable from actual tangible death and mutilation and evil. Bret contorts teenage angst into “legitimate” horror.
I read once somewhere that the difference between fear, terror, and horror is this (and I’m paraphrasing from murky memory): fear is walking in the woods at night and knowing that a wolf is prowling; terror is walking in the woods and seeing the wolf before you; horror is walking in the woods and realizing you have stepped right into the wolf’s trap. Bret Easton Ellis’s THE SHARDS encapsulates all three.
(Warning though: it is quite graphic.)
Content Warnings
Graphic: Death, Body horror, Violence, Adult/minor relationship, Stalking, Gore, Car accident, Sexual content, and Murder
Moderate: Suicide attempt, Suicide, and Blood
Minor: Alcoholism and Car accident