A review by paintedpolarbear
Children of Virtue and Vengeance by Tomi Adeyemi

adventurous challenging dark medium-paced

3.0

am i the only one who was supremely confused by everyone's actions? why are we doing this

Overall a decent sequel to the previous, but I had many issues with pacing and characterization that can't be overlooked, as well as what I believe was a fatal deviation from the intended plot progression. Many themes and throughlines from the first book appear to have been dropped or outright reversed in this installment.

To start with, the introduction of Titans was, at the beginning, a logical progression from the ending of the previous book. "The Gods work in mysterious ways" indeed, and it appeared to be a natural consequence of magic returning to the world. How would maji, with their closed cultural practices revolving around magic, adapt to the sudden influx of non-religious magic users? How would the new Titans adapt to their unprecedented powers? The answer was badly, on both counts, with the arrival of Titans sowing immediate chaos and disunity among the nation. Nobody handled this well. My major gripe was how quickly the argument among the maji devolved from actual cultural concerns to "well we just have to account for them when drawing up plans on how to kill as many people as possible." The idea that this was the gods' plan all along just never came up, which is insane considering how many other discussions revolved around trying to puzzle out the gods' will. What should have been a metaphor for socio-religious conflict became "my enemy leveled up, so now I have to level up as well," ad infinitum. Nobody wins in an arms race, btw.

One constant bugbear throughout the entire book was Amari's choices and actions. She quickly went from a character I was rooting for to a character I was hoping would die in a rockslide or something. Like, I get it, what are you supposed to do when the person whose approval you need says to your face that the best thing you can do for your country is die, but...I think the right answer is NOT to turn around and immediately magically lobotomize that person, take up the role of tribal elder (it's giving settler colonialism 🥴), and proceed to develop your own special and unique take on magic that completely disregards the cultural history that you have only just now become even slightly curious about. I'm also side-eyeing Mama Agba for condoning and encouraging literally everything about this. 

Not to mention the LITERAL ACTUAL WAR CRIME of TARGETING CIVILIANS. Over which she has the AUDACITY to be shocked and dismayed that people are upset that she committed. Of which SHE is upset ONLY BECAUSE IT DIDN'T WORK. And expected everyone (including her boyfriend) to forgive her when OTHER PEOPLE have to resort to BLOOD SACRIFICE to invent NEW MAGIC just to UNDO WHAT SHE DID.

(This is not to say I am not side-eying Zelie/the Iyika literally using the exact same superweapon in their attack against the monarchy in the next scene, but it's fine because they're targeting soldiers? Can we be serious.)

Oh and the epilogue. Why was the trans-Atlantic slave trade overture necessary at all?
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