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A review by michellehenriereads
Ghost Girl, Banana by Wiz Wharton
5.0
I received an ARC from NetGalley and the publisher in exchange for my honest opinion.
Genre: General Fiction, Literary Fiction
Format: Dual POV, Dual Timeline: 1960s & 1990s
Spice Level: Low (This is not a romance, but it has romantic elements. Pretty much closed door.)
Content warnings will be listed at the end because they include some spoilers.
I really enjoy this book. At first I was confused because of the switch back and forth. (But I'd not read the description for a month and had forgotten it was a mother and daughter.)
Sook-Yin is sent to London to restore the family's honor. This is a heavy burden, especially when she's been told that she's stupid and not worthy of notice. As a transplant in the 60's, she is very alone. And she is constantly misinterpreted through her life. Sook-Yin's marriage is not what she expected. But her spirit is strong, and she's a fighter.
Lilly has struggled her entire life to understand who she is and why she's suffering Her sister is her only support system. She believes she has a few memories of their time in Hong Kong, but her sister assures her she was too little to remember. As she sets out on this journey to Hong Kong, she discovers secrets and lies that rock her foundation.
The emotions of not belonging are intense and the writing drives it home. One of my struggles was to understand why Sook- 's brother was so awful. (This is part of the entire novel—delving into relationships, so we weren't supposed to understand. When she figured it out, it was an aha moment for me too. Then I wondered what lens am I seeing people through.
Themes center around belonging, relationships, and the turmoil from finding our place. The handover of Hong Kong to China is an exterior (almost gothic because it's a character) representation of the divide within the lives of Sook-Yin and Lilly.
The prose is amazing! Not that prose stands without a story, but the way Wharton weaves in metaphors is beautiful. I marked so many of them because I want to read them again and again.
I felt satisfied with the ending. This was a big undertaking (I believe for a debut novel). Masterfully crafted. Seriously, I couldn't put it down. The structure is a bit circular, which I also enjoyed.
I highly recommend it.
Happy reading!
Potential Content Issues: racism, self-harm, misuse of power by a person in power, rape (but not graphic and comes off more as giving up)
All of these were handled well, and I'm a sensitive reader and was fine.
Genre: General Fiction, Literary Fiction
Format: Dual POV, Dual Timeline: 1960s & 1990s
Spice Level: Low (This is not a romance, but it has romantic elements. Pretty much closed door.)
Content warnings will be listed at the end because they include some spoilers.
I really enjoy this book. At first I was confused because of the switch back and forth. (But I'd not read the description for a month and had forgotten it was a mother and daughter.)
Sook-Yin is sent to London to restore the family's honor. This is a heavy burden, especially when she's been told that she's stupid and not worthy of notice. As a transplant in the 60's, she is very alone. And she is constantly misinterpreted through her life. Sook-Yin's marriage is not what she expected. But her spirit is strong, and she's a fighter.
Lilly has struggled her entire life to understand who she is and why she's suffering Her sister is her only support system. She believes she has a few memories of their time in Hong Kong, but her sister assures her she was too little to remember. As she sets out on this journey to Hong Kong, she discovers secrets and lies that rock her foundation.
The emotions of not belonging are intense and the writing drives it home. One of my struggles was to understand why Sook- 's brother was so awful. (This is part of the entire novel—delving into relationships, so we weren't supposed to understand. When she figured it out, it was an aha moment for me too. Then I wondered what lens am I seeing people through.
Themes center around belonging, relationships, and the turmoil from finding our place. The handover of Hong Kong to China is an exterior (almost gothic because it's a character) representation of the divide within the lives of Sook-Yin and Lilly.
The prose is amazing! Not that prose stands without a story, but the way Wharton weaves in metaphors is beautiful. I marked so many of them because I want to read them again and again.
I felt satisfied with the ending. This was a big undertaking (I believe for a debut novel). Masterfully crafted. Seriously, I couldn't put it down. The structure is a bit circular, which I also enjoyed.
I highly recommend it.
Happy reading!
Potential Content Issues: racism, self-harm, misuse of power by a person in power, rape (but not graphic and comes off more as giving up)
All of these were handled well, and I'm a sensitive reader and was fine.