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A review by cjfooks
A Clockwork Orange by Anthony Burgess
challenging
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
You know what, I actually enjoyed this. I got to say - I wasn’t expecting to.
It was one of those books I wanted to read to say I’d read it and to watch the movie, which I know is a cult classic (although tbh I don’t feel the need now). The only other thing I knew about it going in, was that it was very graphically violent - and wow it definitely is, but not in the way you’d expect.
It was one of those books I wanted to read to say I’d read it and to watch the movie, which I know is a cult classic (although tbh I don’t feel the need now). The only other thing I knew about it going in, was that it was very graphically violent - and wow it definitely is, but not in the way you’d expect.
Firstly, the first part is quite confusing because by this point, not only are you still trying to understand the book’s world and meet characters, but the language is actually its own unique dialect of English.
They mention it at some point, but it’s the young people slang of this fictional world and includes a lot of Russian-derived words in place of English ones. This means most commonly used nouns and verbs are totally incoherent at the start. But towards the middle and end I actually really enjoyed this part of it and now, after reading, sort of miss listening to it, in the way you might miss hearing an Irishmen speak after visiting Ireland for a week.
I’m also really glad I read it for the first time as an audiobook for this reason - I think I understood it quicker and better this way.
When it comes to all the violence though, it’s dampened considerably by the language factor in a very clever way, never using the words like ‘r*pe’, ‘screaming/crying’ or ‘bl**d’ instead ‘the ol’ in-out-in-out’, ‘screeching’ and ‘krovvy’. Between this and the matter-of-a-fact narration about atrocities from Alex (the main character) i think the point here is to try and make the reader read in Alex’s detached perspective, instead of their own.
The language does change throughout the book and, man the way it’s written is so a unique, that I can’t help but respect the heck out of it (which is also why I don’t think the movie could ever do it justice).
Once Alex goes through ‘rehab’, the language he hears and starts using, changes to the ‘ugly’ words we’re used to (I.e. r*pe, etc.) and, this, combined with Alex’s correlated nausea, makes the impact of the violence that much stronger.
The language does change throughout the book and, man the way it’s written is so a unique, that I can’t help but respect the heck out of it (which is also why I don’t think the movie could ever do it justice).
In terms of plot, it’s heavily a character development, rather than plot. And seems to be making some sort of a point but I’ll admit - I still don’t really get it.
To me overall, it’s a cleverly written story about morality, cruelty, karma and a very clever use of language.
To me overall, it’s a cleverly written story about morality, cruelty, karma and a very clever use of language.
I wasn’t expecting to say I’d read this again but I think I would - and would recommend it in certain cases - but only for horror fans (though I wouldn’t actually call this horror) who can stomach a lot of violence in books.
Graphic: Blood, Grief, Kidnapping, Misogyny, Animal death, Drug use, Injury/Injury detail, Medical content, Mental illness, Torture, Violence, Sexual violence, Physical abuse, Death, Forced institutionalization, Murder, and Rape