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A review by shelleyrae
The Diamond Hunter by Fiona McIntosh
5.0
From a ramshackle, dusty miners camp in Southern Africa, to the green countryside of northern England, and the bustling city of London, Fiona McIntosh takes us on a journey of heartbreak, trust, betrayal, and love in her latest historical fiction novel, The Diamond Hunter.
Clementine is just six when her well-born mother succumbs to malaria on the plains of Southern Africa where her father, James, has brought them, determined to make his fortune during the 1870's gold rush in Africa. With his wife’s death, James obsession to prove his worth grows and he stakes a claim in a nearby diamond mine, but haunted by grief and guilt, both the working of the claim, and the care of Clementine, is largely left to his partner, Joseph One-Shoe, a Zulu warrior.
Just as Joseph uncovers a large diamond that will ensure a secure future for them all, tragedy strikes, and Clementine has no choice but to return to England in the care of her Uncle to claim her birthright as the only legitimate heir of the wealthy Grant family.
Clementine is a wonderful character, as a child she is sweetly precocious, adoring both her father, despite his obvious flaws, and Joseph One-Shoe, whose love for her is achingly tender. Though still only a child when she returns to a life of privilege in England, as she grows Clementine remains grounded, and I found her to be an appealing heroine.
Joseph One-Shoe is also a delight, a Zulu warrior with a largely unpronounceable name, it’s is Clementine that christens him due to his preference of wearing just one shoe in order to remain connected to the land. In her Author’s Notes, McIntosh reveals she based his character on a young African man who was hired to care for her and her family while they lived in a gold mining camp in Africa during the 1960’s.
Reggie Grant, Clementine’s Uncle, is perhaps the most complex character in the novel, neither a hero nor a villain, he is both laudable, and deeply flawed. His actions are the catalyst for the questions that arise surrounding the death of Clementine’s father, driving her to determine the truth.
There is a touch of romance introduced to the plot when Clementine meets Will Axford, an underwriter for Lloyd’s of London. While somewhat conservative in his thinking, Will is a good match for her, in that he is plain spoken and honourable, though perhaps to a fault. The unresolved nature of their relationship is unusual for McIntosh, and I wonder if perhaps the author has plans to return to this story.
As always, McIntosh's deftly weaves historical fact into her fiction. The story is meticulously researched, and her descriptions evocative, particularly in terms of her depiction of the frenzy surrounding the diamond rush, and the settlement that grew around ‘The Hole’, which later became the capital city of South Africa’s Northern Cape Province, Kimberley. The author also includes some general insight into the diamond trade during the period, and alludes to Lloyd’s of London’s first steps in expanding beyond marine policies.
Beautifully written with authentic characterisation and detail, The Diamond Hunter is a captivating read from, as I’m quoted on the back cover, an extraordinary storyteller.
Clementine is just six when her well-born mother succumbs to malaria on the plains of Southern Africa where her father, James, has brought them, determined to make his fortune during the 1870's gold rush in Africa. With his wife’s death, James obsession to prove his worth grows and he stakes a claim in a nearby diamond mine, but haunted by grief and guilt, both the working of the claim, and the care of Clementine, is largely left to his partner, Joseph One-Shoe, a Zulu warrior.
Just as Joseph uncovers a large diamond that will ensure a secure future for them all, tragedy strikes, and Clementine has no choice but to return to England in the care of her Uncle to claim her birthright as the only legitimate heir of the wealthy Grant family.
Clementine is a wonderful character, as a child she is sweetly precocious, adoring both her father, despite his obvious flaws, and Joseph One-Shoe, whose love for her is achingly tender. Though still only a child when she returns to a life of privilege in England, as she grows Clementine remains grounded, and I found her to be an appealing heroine.
Joseph One-Shoe is also a delight, a Zulu warrior with a largely unpronounceable name, it’s is Clementine that christens him due to his preference of wearing just one shoe in order to remain connected to the land. In her Author’s Notes, McIntosh reveals she based his character on a young African man who was hired to care for her and her family while they lived in a gold mining camp in Africa during the 1960’s.
Reggie Grant, Clementine’s Uncle, is perhaps the most complex character in the novel, neither a hero nor a villain, he is both laudable, and deeply flawed. His actions are the catalyst for the questions that arise surrounding the death of Clementine’s father, driving her to determine the truth.
There is a touch of romance introduced to the plot when Clementine meets Will Axford, an underwriter for Lloyd’s of London. While somewhat conservative in his thinking, Will is a good match for her, in that he is plain spoken and honourable, though perhaps to a fault. The unresolved nature of their relationship is unusual for McIntosh, and I wonder if perhaps the author has plans to return to this story.
As always, McIntosh's deftly weaves historical fact into her fiction. The story is meticulously researched, and her descriptions evocative, particularly in terms of her depiction of the frenzy surrounding the diamond rush, and the settlement that grew around ‘The Hole’, which later became the capital city of South Africa’s Northern Cape Province, Kimberley. The author also includes some general insight into the diamond trade during the period, and alludes to Lloyd’s of London’s first steps in expanding beyond marine policies.
Beautifully written with authentic characterisation and detail, The Diamond Hunter is a captivating read from, as I’m quoted on the back cover, an extraordinary storyteller.